Oratorio ` Messiah` (arias),  (Handel)

George Frideric Handel (1685–1759)


Oratorio ` Messiah` (arias)

   

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But who may abide the day of His coming. Cond. Albert W. Ketelbey. London, September 21, 1922
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`He was despised`. September 11, 1930.
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Part I: Aria `And He shall feed his flock` & Aria `Rejoice greatly, O daughter of Zion`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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`Comfort ye my people` // Dame Emma Kirkby/Emily Van Evera/Margaret Cable/James Bowman/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott
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Messiah / Part 2 - `Air: He Was Despised`.
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Messiah - Aria (O Thou That Tellest Good Tidings to Zion) October 7-8, 1952, London.
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I know that my Redeemer liveth.
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He shall feed his flock December 1956.
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I know that my Redeemer liveth December 1956.
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No. 9, `O thou that tellest good tidings to Zion`; No. 23, `He was despised`. Anton Heiller, organ, I Solisti di Zagreb – Antonio Janigro. Recorded at the Grossesaal, Wiener Konzethaus, Vienna, Austria, June 1964.
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Messiah - He was despised.
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Messiah - O thou that tellest.
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Part II: `How beautiful are the feet` & `Their sound is gone out` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part II: `He was despised` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Rejoice Greatly, O Daughter Of Zion. 2015.
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Part I: `Thus saith the Lord` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part I: `But who may abide the day of His coming` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part I: `But who may abide the day of His coming` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part I: `But lo! the angel of the Lord came upon them` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part I: `Rejoice greatly, O daughter of Zion` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part I: `He shall feed His flock` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part II: `Thou art gone up on high` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part II: `Thou art gone up on high` (alternative version). Patricia Spence - contralto. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part II (alternative versions): `How beautiful are the feet` - Drew Minter (countertenor); `Break forth into joy` - Patricia Spence (contralto). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Part II: `How beautiful are the feet` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
      (2)

Part II: `Their sound is gone out` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
      (1)

Part II: `Why do the nations` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.
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Messiah / Part 3 - `Air: I Know That My Redeemer Liveth`.
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`But who may abide` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)
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`He was despised` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)
      (5)

`Thou art gone up on high` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)
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`Behold, a virgin` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)
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`O Thou that tellest` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)
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``Pifa`` - Siciliana (HARP DUET). Recorded in the English Church, Begynhof, Amsterdam, September 1989.
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`He was depised`. Recorded in the English Church, Begynhof, Amsterdam, September 1989.
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Messiah: But who may abide the day of his coming; How beautiful are the feet. Albert Fuller (harpsichord), Baroque Chamber Orchestra – Tomas Dunn. “Russell Oberlin. Handel arias”, 1959.
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`Rejoice Greatly, O Daughter of Zion`. Recorded: October 24, 2019, London (live).
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Messiah / Part 3 - `Behold, I Tell You A Mystery`, `The Trumpet Shall Sound` / Thomas Quasthoff, Staatskapelle Dresden, con. Sebastian Weigle.
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Ev’ry valley chall be exalted. 1958.
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Part 1: `Er weidet seine Herde`. Recorded: April 30 - May 7, 1961, Munich.
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Part 3: `Ich weiß, daß mein Erlöser lebt`. Recorded: April 30 - May 7, 1961, Munich.
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`Rejoice` from Messiah / Katrin Targo & J.J.Fux Baroque Orchestra
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Messiah / Part 1 - `Air: The People That Walked In Darkness` / John Tomlinson, The English Concert, con. Trevor Pinnock.
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Part I. Recitative `Thus saith`. Recorded in 2012 in Munich. Album Michael Volle - A Portrait (2013)
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`Hallelujah` from `Messiah` (No. 44 from Part Two). Oratorio Society of New York. Concert of the Century at Carnegy Hall May 18 1976.
      (7)
 
 

 
 
     

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