`He was despised`. September 11, 1930.

Part I: Aria `And He shall feed his flock` & Aria `Rejoice greatly, O daughter of Zion`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.

Messiah / Part 2 - `Air: He Was Despised`.

Messiah - Aria (O Thou That Tellest Good Tidings to Zion) October 7-8, 1952, London.

Rejoice Greatly, O Daughter Of Zion. 2015.

But who may abide the day of His coming. Cond. Albert W. Ketelbey. London, September 21, 1922

`Comfort ye my people` // Dame Emma Kirkby/Emily Van Evera/Margaret Cable/James Bowman/Joseph Cornwell/David Thomas/Taverner Choir/Taverner Players/Andrew Parrott

I know that my Redeemer liveth.

He shall feed his flock December 1956.

I know that my Redeemer liveth December 1956.

No. 9, `O thou that tellest good tidings to Zion`; No. 23, `He was despised`. Anton Heiller, organ, I Solisti di Zagreb – Antonio Janigro. Recorded at the Grossesaal, Wiener Konzethaus, Vienna, Austria, June 1964.

Messiah - He was despised.

Messiah - O thou that tellest.

Part II: `How beautiful are the feet` & `Their sound is gone out` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `He was despised` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `Thus saith the Lord` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But who may abide the day of His coming` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But who may abide the day of His coming` (alternative version). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `But lo! the angel of the Lord came upon them` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `Rejoice greatly, O daughter of Zion` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part I: `He shall feed His flock` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Thou art gone up on high` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Thou art gone up on high` (alternative version). Patricia Spence - contralto. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II (alternative versions): `How beautiful are the feet` - Drew Minter (countertenor); `Break forth into joy` - Patricia Spence (contralto). Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `How beautiful are the feet` (alternative version). Drew Minter - countertenor. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Their sound is gone out` (alternative version). Janet Williams - soprano. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Part II: `Why do the nations` (alternative version). William Parker - bass-baritone. Philharmonia Baroque Orchestra. Recorded: January 4-7, 1991, Berkeley, California.

Messiah / Part 3 - `Air: I Know That My Redeemer Liveth`.

`But who may abide` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`He was despised` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`Thou art gone up on high` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`Behold, a virgin` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

`O Thou that tellest` (from `Messiah`). Ensemble `Bach Collegium Japan`. 1996, Japan (BIS Records)

Messiah: But who may abide the day of his coming; How beautiful are the feet. Albert Fuller (harpsichord), Baroque Chamber Orchestra – Tomas Dunn. “Russell Oberlin. Handel arias”, 1959.

`Rejoice Greatly, O Daughter of Zion`. Recorded: October 24, 2019, London (live).

Messiah / Part 3 - `Behold, I Tell You A Mystery`, `The Trumpet Shall Sound` / Thomas Quasthoff, Staatskapelle Dresden, con. Sebastian Weigle.

Ev’ry valley chall be exalted. 1958.

Part 1: `Er weidet seine Herde`. Recorded: April 30 - May 7, 1961, Munich.

Part 3: `Ich weiß, daß mein Erlöser lebt`. Recorded: April 30 - May 7, 1961, Munich.

`Rejoice` from Messiah / Katrin Targo & J.J.Fux Baroque Orchestra

Messiah / Part 1 - `Air: The People That Walked In Darkness` / John Tomlinson, The English Concert, con. Trevor Pinnock.

Part I. Recitative `Thus saith`. Recorded in 2012 in Munich. Album Michael Volle - A Portrait (2013)

`Hallelujah` from `Messiah` (No. 44 from Part Two). Oratorio Society of New York. Concert of the Century at Carnegy Hall May 18 1976.

``Pifa`` - Siciliana (HARP DUET). Recorded in the English Church, Begynhof, Amsterdam, September 1989.

`He was depised`. Recorded in the English Church, Begynhof, Amsterdam, September 1989.