| |
|
|
| |
Recorded in summer 2012 at Musée Labenche in Brive-la-gaillarde, France, on Debussy’s own beautifully restored Blüthner piano.
|
|
| |
|
|
| |
|
|
| |
|
|
| |
September 20, 2024, Chamber Hall of the Moscow Philharmonic
|
|
| |
Recorded: March 1998, Cologne.
|
|
| |
Recorded: March 1998, Cologne.
|
|
| |
|
|
| |
recorded in 2009 at the Umeå Opera House
|
|
| |
|
|
| |
|
|
| |
|
|
| |
Recorded in 1992, Munich.
|
|
| |
|
|
| |
|
|
| |
Recorded: September 1995, Austria.
|
|
| |
|
|
| |
|
|
| |
|
|
| |
No. 1. Andante, molto espressivo
|
|
| |
Caprices 17 and 24. Recorded in 1951.
|
|
| |
|
|
| |
Images, book II: 3. Poissons d`or. Recorded: January 31, 1937, London.
|
|
| |
|
|
| |
Viola – Dov Scheindlin. Recorded: December 7, 2000, USA.
|
|
| |
|
|
| |
|
|
| |
Soprano - Aleksandra Lewandowska, countertenor - Alex Potter, tenor - Valerio Contaldo. Recorded live February 8, 2021, Temple de Saint-Gervais, Genève, Canton de Genève, Switzeland. Video: https://www.youtube.com/watch?v=pNpoDKBq1Ew&t=1s
|
|
| |
|
|
| |
Rondeau sur le trio `Zitti zitti`. Recorded: February 2009, Paris.
|
|
| |
|
|
| |
Tres gente, pure et nete fleur de lis, ballade
vocal - Els JANSSENS, lute - Michal GONDKO, douçaine - Dani PELAGATTI, vielle - Uri SMILANSKY
2005
|
|
| |
|
|
| |
|
|
| |
|
|
| |
Concerto Symphonique No. 4 in D Minor, Op. 102: II. Scherzo. Recorded: March 24, 2001.
|
|
| |
recorded in 2018 at Pardubice
|
|
| |
recorded in 2018 at Pardubice
|
|
| |
|
|
| |
Recorded: October 10-11, 1960, Leningrad (live).
|
|
| |
recorded in 2012 in Bologna, Basilica of San Petronio
|
|
| |
recorded in 2010 at Bologna, Basilica of San Petronio
|
|
| |
recorded in 2010 at Bologna, Basilica of San Petronio
|
|
| |
Amour tient en sa ballie mon cuer, rondo
lute - Michal GONDKO, douçaine - Dani PELAGATTI, vielle - Uri SMILANSKY
2005
|
|
| |
Recorded: December 2008, Köln.
|
|
| |
2020, Worcester (England)
|
|
| |
2020, Worcester (England)
|
|
| |
Recorded: May 1988, Cologne.
|
|
| |
|
|
| |
2023, parish church of Governolo (Italy), Montesanti organ (1780s)
|
|
| |
|
|
|
|
|