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1892 Version by Bruckner and Joseph Schalk. Ed. Haslinger-Schlesinger-Lienau. 14.01- 5.02.1953
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Wotan`s Farewell and the fire spell. In English. yaz. Dir. Hamilton Harty. London, May 23, 1922.
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April 1970. Vienna, State Opera. Dir. Karl Boehm. Sherrill Milnes (Macbeth), Christa Ludwig (Lady Macbeth), Karl Ridderbush (Banquo), Carlo Kossutta (Macduff), Ewald Eichberger (Malcolm), Lubomir Panchev (doctor), Siegfried Freze (murderer), Harold Proglhoff (servant), Gilels Flossman (court lady).
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May 31 and June 1, 1943. Choir and orchestra of the Vienna State Opera. Dir. Karl Boehm. Stumme Rolle (Duncan
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Acis and Galatea: Aria of Polyphemus I rage, I melt, I bum (2 d.). London, January 1919
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1935. Symphony Orchestra of Paris. Alexey Vlasov`s Russian Choir. Dir. Henri Tomasi. Alice Raveau (Orpheus, K.), Germain Feraldi (Eurydice, S.), Jeanie Delille (Cupid, S.). - This recording is the first large, relatively complete recording of Gluck`s opera Orpheus and Eurydice (59 minutes). It is based on the Paris version of the opera edited by Berlioz and Saint-Saens
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J`ai perdu mon euridice (3 d.). In the great recording of 1935, this aria of Orpheus is given in abridgment, here in full.
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In engl. Recorded: December 8, 1922, London.
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Aria of Zarastro In diesen heil’gen Hallen (2 d.). In English. yaz. Dir. Hamilton Harty. London, May 9, 1922.
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01.10.1951. London, Mermaid Theatre. The Mermaid Singers and Orchestra. Dir. Geraint Jones. Kirsten Flagstad (Dido), Thomas Hensley (Aeneas), Maggie Tate (Belinda), Edith Coates (Witch), Arda Mandikian, Ilsa Steinora (2 witches), Eilidh McNabb, Ann Dowdell (2 women), Murray Dickey (spirit), Powell Lloyd (sailor).
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