Ensemble Diabolus in Musica

The expression school of Notre-Dame designates a style of music, part of Ars antiqua, developed by composers who practiced at Notre-Dame cathedral in Paris between approximately 1160 and 1250. But more than a geographical connotation, the expression refers to the characteristics of the compositions: in addition to the use of rhythmic and melodic modes (the eight church tones) in use, we especially note the appearance, followed by an important development, of polyphonic musical forms such as the conductus (the conduit), the flowery organum and finally the motet.

https://fr.wikipedia.org/wiki/École_de_Notre-Dame

Benedicamus domino (organum a 3)
Composers of the Notre Dame School (1170-1240).
        (6)

Deus misertus (directus a 4)
Composers of the Notre Dame School (1170-1240).
        (3)

Composers of the Notre Dame School (1170-1240).
        (1)

Descendit de celis (organum a 3)
        (1)

Mundus vergens (conductus a 4)
        (1)

Composers of the Notre Dame school (1170-1240).
        (1)

Veri floris sub figura (conductus a 3)
        (1)

Naturas Deus regulis (conductus a 3)
        (1)

O Maria virginei (conductus a 3)
        (1)
 
     

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