1. Hohe Liebe
2. Seliger Tod
3. O lieb so lang du lieben kannst

3 nocturnes (`Dreams of Love` / `Liebesträume`) for piano (1850), S.541 (Liszt)
3,1,2
      (35)

1. Andante con moto E major
2. Un poco più mosso E major
3. Lento placido D♭ major
4. Quasi Adagio D♭ major
5. Andantino E major
6. Allegretto sempre cantabile E major

`Consolations` for piano, 2nd version (1849-50), S.172 (Liszt)
Recorded: November 1979, Berlin.
      (36)

Lento assai - Allegro energico - Grandioso - Recitativo - Andante sostenuto - Quasi adagio - Allegro energico - Piu mosso - Stretta quasi presto - Presto - Prestissimo - Andante sostenuto - Allegro - Lento assai

Piano Sonata in h-moll (1852-53), S.178 (Liszt)
Recorded: July 1985, Munich.
      (4)

Piano Sonata in h-moll (1852-53), S.178 (Liszt)
Recorded: November 1979, Berlin.
      (0)

1. Allegro maestoso - Tempo giusto
2. Quasi Adagio - Allegro vivace - Allegro animato
3. Allegro marziale animato - Presto

Concerto for Piano and Orchestra No.1 in Es-dur (1830-56), S.124 (Liszt)
Rec. 6/2011.
      (3)


(Wagner) Piano transcription of `Isolda`s Liebestod` from  `Tristan and Isolda` (1867), S.447 (Liszt)
Rec. 5/1982, Paris.
      (2)

Based on S.524a
1. Adagio sostenuto assai
2. Allegro agitato assai
3. Allegro moderato
4. Allegro deciso
5. Marziale un poco meno allegro
6. Allegro animatio - Stretto

Concerto for Piano and Orchestra No.2 in A-dur (1839, 1848-61), S.125 (Liszt)
Rec. 6/2011.
      (5)

Based on the quartet from Act III

(Verdi) Paraphrase de concert on a Theme from the opera `Rigoletto` for piano (1855-59?), S.434 (Liszt)
Rigoletto. Paraphrase de concert, S.434. Daniel Barenboim - piano. Label: Warner Classics. Rec. 1988.
      (4)


(Wager) Piano transcription of Ballad of the `Flying Dutchman` (1872), S.441 (Liszt)
Ballade aus `Der fliegende Hollander`, S.441. Daniel Barenboim - piano. Label: Deutsche Grammophon. Rec. 5/1982, Paris.
      (7)

1. Pace non trovo
2. Benedetto sia `l giorno
3. I` vidi in terra angelici costume

Tre sonetti di Petrarca for voice and piano (1838-39, 1861), S.270 (Liszt)
Recorded 1973
      (5)

1. Festspiel und Brautlied
2. Elsas Traum
3. Lohengrins Verweis an Elsa

(Wagner) 3 fragments from `Lohengrin` for piano (1854), S.446 (Liszt)
Elsas traum und Lohengrins Verweis aus `Lohengrin`, S.446 No.2. Daniel Barenboim - piano. Label: Deutsche Grammophon. Rec. 5/1982, Paris.
      (2)

1841 rev. 1856. Text by H.Heine

Song `Die Loreley` for voice and piano (1854-56), S.273 (Liszt)
Recorded: November 1979, Berlin.
      (9)

1848 rev. 1859 text by Johann Wolfgang von Goethe 1749-1832

Song `Über allen Gipfeln ist Ruh` for voice and piano, S.306 (Liszt)
Recorded: November 1979, Berlin.
      (3)

1860 text by Nikolaus Lenau 1802-1850

Song `Die drei Zigeuner` for voice and piano, S.320 (Liszt)
recorded in 1973
      (2)

1. Einzug der Gaeste auf der Wartburg aus `Tannhaeuser`
2. Elsas Brautzug zum Munster aus `Lohengrin`

(Wagner) 2 piano transcriptions from `Tannhäuser` and `Lohengrin` (1852), S.445 (Liszt)
Einzug der Gate auf der Wartburg aus `Tannhauser`, S.445 No.1. Daniel Barenboim - piano. Label: Deutsche Grammophon. Rec. 5/1982, Paris.
      (4)


(Wagner) Piano transcription of the `Spinnerlied` from `The Flying Dutchman` (1860), S.440 (Liszt)
Rec. 5/1982, Paris.
      (1)

ased on the battle-hymn `Santo spitiro cavaliere` Act III No.10 from the opera Rienzi WWV.49 by Richard Wagner

(Wagner) Fantasy on themes from `Rienzi` for piano (1859), S.439 (Liszt)
Santo spirito cavaliere aus `Rienzi`, S.439. Daniel Barenboim - piano. Label: Deutsche Grammophon. Rec. 5/1982, Paris.
      (3)

1. Der Fischerknabe
2. Der Hirt
3. Der Alpenjäger

3 songs from Schiller`s `Wilhelm Tell` for voice and piano (1845, rev. 1859), S.292 (Liszt)
Recorded 1973
      (2)

1855 rev. 1860 text by Heinrich Heine 1797-1856

Song `Ein Fichtenbaum steht einsam` for voice and piano, S.309 (Liszt)
Recorded: November 1979, Berlin.
      (2)


(Verdi) Paraphrase de concert on the `Miserere` from the opera `Il Trovatore` for piano (1859), S.433 (Liszt)
Rec. 1994.
      (1)

1860 text by Friedrich Hebbel 1813-1863

Song `Blume und Duft` for voice and piano, S.324 (Liszt)
Recorded in 1973.
      (2)

1842 rev. 1859 text by Vicomte Victor Marie Hugo
Oh! quand je dors viens auprès de ma couche viens
Comme à Pétrarque apparaissait Laura
Et qu`en passant ton haleine me touche...
Soudain ma bouche
S`entrouvrira!

Sur mon front morne où peutêtre s`achève
Un songe noir un songe noir qui trop longtemps dura
Que ton regard comme un astre se lève...
Soudain mon rêve
Rayonnera!

Puis sur ma lèvre où voltige une flamme
Éclair d`amour que Dieu même épura
Pose un baiser et d`ange deviens femme...
Soudain mon âme
S`éveillera!

Song `Oh! Quand je dors` for voice and piano, S.282 (Liszt)
Recorded in 1973.
      (3)

1845 text Ferdinand Freiligrath

Song `O lieb, so lang du lieben kannst` for voice and piano, S.298 (Liszt)
Recorded: November 1979, Berlin.
      (11)

1857 text by Oscar von Redwitz-Schmölz 1823-1891

Song `Es muss ein Wunderbares sein` for voice and piano, S.314 (Liszt)
Recorded: November 1979, Berlin.
      (2)

1839 rev. 1856 text by Marchese Cesare Bocella

Song `Angiolin dal biondo crin` for voice and piano, S.269 (Liszt)
Recorded: November 1979, Berlin.
      (3)

`In Schweden steht ein grauer Turm`

Declamation `Der traurige Mönch` for narratot and piano (1860), S.348 (Liszt)
Daniel Barenboim, piano
Recorded 1973
      (3)

1872 text by Louis Charles Alfred de Musset 1810-1857

Song `J`ai perdu ma force et ma vie (Tristesse)` for voice and piano, S.327 (Liszt)
1979-80.
      (0)

1840 rev. 1856 text by Heinrich Heine
Im Rhein im [heiligen] Strome
Da spiegelt sich in den Wellen
Mit seinem großen Dome
Das große heil`ge Köln.

Song `Im Rhein, im schönen Strome` for voice and piano, S.272 (Liszt)
Recorded: November 1979, Berlin.
      (3)

1849 text by Johann Ludwig Uhland 1787-1862

Song `Hohe Liebe` for voice and piano, S.307 (Liszt)
Recorded: November 1979, Berlin.
      (4)


(Verdi) Piano transcription of the Holy dance and the final duet from the opera `Aida` (1876?), S.436 (Liszt)
Aida. Danza sacra e duetto final, S.436. Daniel Barenboim - piano. Label: Warner Classics. Rec. 1988.
      (2)

1880 text by Ferdinand von Saar 1833-1906

Song `Des Tages laute Stimmen schweigen` for voice and piano, S.337 (Liszt)
Recorded 1973
      (0)

Text by Vicomte Victor Marie Hugo

Song `Gastibelza` (Bolero) for voice and piano (1844), S.286 (Liszt)
Recorded: November 1979, Berlin.
      (1)

1848 rev. 1860 text by Johannes Nordmann Johann Rumpelmeyer 1820-1887

Song `Kling leise, mein Lied` for voice and piano, S.301 (Liszt)
Recorded: November 1979, Berlin.
      (2)

1848 text by Pierre Jean de Béranger 1780-1857

Song `Le Vieux Vagabond` for voice and piano, S.304 (Liszt)
Recorded: November 1979, Berlin.
      (0)

1842 text by Heinrich Heine
Vergiftet sind meine Lieder -
Wie könnt es anders sein?
Du hast mir ja Gift gegossen
Ins blühende Leben hinein.

Vergiftet sind meine Lieder -
Wie könnt es anders sein?
Ich trag` im Herzen viel Schlangen
Und dich Geliebte mein!

Song `Vergiftet sind meine Lieder` for voice and piano, S.289 (Liszt)
Daniel Barenboim, piano
Recorded 1973
      (3)

1856 text by August Heinrich Hoffmann von Fallersleben 1798-1874

Song `Wie singt die Lerche schön` for voice and piano, S.312 (Liszt)
Recorded: November 1979, Berlin.
      (2)

1845 rev. 1860
Text Franz Ferdinand Freiherr von Dingelstedt

Song `Schwebe, schwebe, blaues Auge` for voice and piano, S.305 (Liszt)
Recorded: November 1979, Berlin.
      (0)

1860 text by Carl August Peter Cornelius 1824-1874

Song `Wieder möcht` ich dir begegnen` for voice and piano, S.322 (Liszt)
Recorded: November 1979, Berlin.
      (0)

1845 rev. 1860 text by Ludwig Rellstab 1799-1860

Song `Es rauschen die Winde` for voice and piano, S.294 (Liszt)
Recorded: November 1979, Berlin.
      (1)

1874 words by Emil Kuh 1828-1876
Ihr Glocken von Marling wie braust ihr so hell!
Ein wohliges Lauten als sänge der Quell.
Ihr Glocken von Marling ein heil`ger Gesang
Umwallet wie schützend den weltlichen Klang
Nehmt mich in die Mitte der tönenden Flut -
Ihr Glocken von Marling behütet mich gut!

Song `Ihr Glocken von Marling` for voice and piano, S.328 (Liszt)
Recorded 1973
      (1)

1844 text by Vicomte Victor Marie Hugo

Song `La Tombe et la Rose` for voice and piano, S.285 (Liszt)
Recorded: November 1979, Berlin.
      (0)

Text by Johann Ludwig Uhland

Song `Die Vätergruft` for voice and piano (1844), S.281 (Liszt)
Recorded: November 1979, Berlin.
      (2)

1849 text by Johann Ludwig Uhland 1787-1862

Song `Gestorben war ich` for voice and piano, S.308 (Liszt)
Recorded: November 1979, Berlin.
      (2)

1844 rev. 1859 text by Vicomte Victor Marie Hugo
S`il est un charmant gazon
Que le ciel arrose
Où [brille] en toute saison
Quelque fleur éclose
Où l`on cueille à pleine main
Lys chèvre-feuille et jasmin
J`en veux faire le chemin
Où ton pied se pose!

S`il est un sein bien aimant
Dont l`honneur dispose
Dont le ferme dévouement
N`ait rien de morose
Si toujours ce noble sein
Bat pour un digne dessein
J`en veux faire le coussin
Où ton front se pose!

S`il est un rêve d`amour
Parfumé de rose
Où l`on trouve chaque jour
Quelque douce chose
Un rêve que Dieu bénit
Où l`âme à l`âme s`unit
Oh! j`en veux faire le nid
Où ton coeur se pose!

Song `S`il est un charmant gazon` for voice and piano, S.284 (Liszt)
Recorded 1973
      (0)
 
     

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