, (Mead)
Tim Mead (countertenor)

George Frideric Handel - Oratorio `Messiah` (1741), HWV 56

Emmanuelle Haim (conductor), Lucy Crowe (soprano), Tim Mead (countertenor), Andrew Staples (tenor) , Le Concert d`Astree Ensemble

Lucy Crowe, soprano, Tim Mead, alto, Andrew Staples, tenor, Christopher Purves, bass.
      (10)
George Frideric Handel - Opera `Riccardo Primo` (1727), HWV 23

Paul Goodwin (conductor), Tim Mead (countertenor), David Wilson-Johnson (bass)

Kammerorchester Bassel, 2007.
Ricardo Primo - Lawrence Zazzo (countertenor); Constanza - Nuria Rial (soprano); Berardo - Curtis Streetman (bass); Isacio - David Wilson-Johnson (baritone); Pulcheria - Geraldine McGreevy (soprano); Oronte - Tim Mead (countertenor)
      (4)
Claudio Monteverdi - Opera `L`incoronazione di Poppea` (1642), SV308

Emmanuelle Haim (conductor), Ann Hallenberg (mezzo-soprano), Max Emanuel Cencic (countertenor), Tim Mead (countertenor) , Le Concert d`Astree Ensemble

Poppea - Sonya Yoncheva, Nerone - Max Emmanuel Cencic, Ottavia - Ann Hallenberg, Ottone - Tim Mead, Seneca - Paul Whelan, Drusilla – Amel Brahim-Djelloul, Nutrice / Famigliare di Seneca – Rachid Ben Abdeslam, Arnalta – Emiliano Gonzalez Toro, Fortuna / Venere / Pallade – Anna Wall, Valetto / Virtu – Khatouna Gadelia, Mercurio / Console – Aimery Lefevre, Damigella / Amore – Camille Poul, Littore / Famigliare di Seneca/Console – Patrick Schramm, Luciano / soldato/tribuno / Famigliare di Seneca – M
      (8)
George Frideric Handel - Funeral Anthem for Queen Caroline (1737), HWV 264

William Lincoln Christie (conductor), Tim Mead (countertenor) , Les Arts Florissants

Tim Mead (countertenor) / Sean Clayton (tenor) / Lisandro Abadie (baritone) / Les Arts Florissants / William Christie (cond.) / 2014
      (13)
Giovanni Battista Pergolesi - Stabat Mater for soprano, alto, choir, strings and organ (1734), P. 77

David Bates (conductor), Lucy Crowe (soprano), Tim Mead (countertenor) , La Nuova Musica

Recorded: April 7-11, 2016, London.
      (1)
George Frideric Handel - Oratorio `Israel in Egypt`, HWV 54

Anthony Bramall (conductor), Tim Mead (countertenor) , Chamber Choir of Europe

Susanne Cornelius, Antonia Bourve - sopranos, Tim Mead - countertenor, Bernhard Berchtold - tenor, Klemens Sanders - bass, Mika Kares - bass. Orchester der Deutschen Handel-Solisten. Recorded: February 27, 2006, Karlsruhe, Germany.
      (2)
George Frideric Handel - Te Deum ðå ìàæîð (`Queen Caroline`) (1714), HWV 280

William Lincoln Christie (conductor), Tim Mead (countertenor) , Les Arts Florissants

Tim Mead - countertenor, Sean Clayton - tenor, Lisandro Abadie - bass-baritone. Choir and Orchestra of Les Arts Florissants. 2014.
      (5)
Johann Sebastian Bach - Cantata `Liebster Gott, wenn werd ich sterben?`, BWV 8

Raphael Pichon (conductor), Joanne Lunn (soprano), Tim Mead (countertenor) , Ensemble Pygmalion

      (1)
Johann Sebastian Bach - Cantata `Wir müssen durch viel Trübsal in das Reich Gottes eingehen`, BWV 146

Raphael Pichon (conductor), Joanne Lunn (soprano), Tim Mead (countertenor) , Ensemble Pygmalion

Countertenor - Tim Mead, tenor - Nicholas Pritchard, bass - Christian Immler. Ensemble Pygmalion. Recorded - November 21, 2017, Paris (live).
      (1)
Johann Sebastian Bach - Cantata `Widerstehe doch der Sünde` (1714), BWV 54

David Bates (conductor), Tim Mead (countertenor) , La Nuova Musica

Recorded: April 7-11, 2016, London.
      (1)
Johann Sebastian Bach - Cantata `Ich elender Mensch, wer wird mich erlösen`, BWV 48

Raphael Pichon (conductor), Joanne Lunn (soprano), Tim Mead (countertenor) , Ensemble Pygmalion

      (0)
Johann Sebastian Bach - Cantata `Wer weiß, wie nahe mir mein Ende`, BWV 27

Raphael Pichon (conductor), Joanne Lunn (soprano), Tim Mead (countertenor) , Ensemble Pygmalion

Countertenor - Tim Mead, tenor - Nicholas Pritchard, bass - Christian Immler. Ensemble Pygmalion. Recorded: November 21, 2017, Paris (live).
      (0)
Johann Sebastian Bach - Cantata `Vergnügte Ruh, beliebte Seelenlust`, BWV 170

David Bates (conductor), Tim Mead (countertenor) , La Nuova Musica

Recorded: April 7-11, 2016, London.
      (1)
 
     

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