Rolf Lislevand (lute)
Fa Maurizio Naddeo (cello), 1991, Metz, Arsenal
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) // 1991, Metz, Arsenal
Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
ROLF LISLEVAND (theorbe), Michael Behringer (harpsichord). Recorded in église St. Hippolyte à Castres (France), September 21-22 1998.
ARIANNA SAVALL (triple harp), ROLF LISLEVAND (guitar), MICHAEL BEHRINGER (organo di legno), PEDRO ESTEVAN (percussion), ADELA GONZALEZ-CAMPA (cascabeles). Recorded at Studio Fondation Tibor Varga, Sion (Switzerland), August 1998.
Fabio Biondi (violin), Rinaldo Alessandrini (positivo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
continuo: Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo), Eduardo Equez (theorbo), Guido Morini (harpsichord) / 1995, Arezzo
Rolf Lislevand - guitar, Angelo Bartoletti - viola, Bruno Cocset - cello I, Jose de Udaete - castanetas. Recorded: July 31 - August 4, 2005, France.
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Fabio Biondi (violin), Rinaldo Alessandrini (positivo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Baroque lute for 13 choirs. Album 2000.
Fabio Biondi (violin), Rinaldo Alessandrini (positivo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Baroque lute for 13 choirs. Album 2000.
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Rolf Lislevand - vihuela. recording 1989
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Fabio Biondi (violin), Rinaldo Alessandrini (positivo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
vihuela - Rolf Lislevand. 1989
continuo: Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo), Eduardo Equez (theorbo), Guido Morini (harpsichord) / 1995, Arezzo
Fabio Biondi (violin), Rinaldo Alessandrini (cembalo), Maurizio Naddeo (cello), Paolo Pandolfo (contrabasso), Rolf Lislevand (theorbo) / 1991, Metz, Arsenal
Rolf Lislevand - guitar, Angelo Bartoletti - viola, Bruno Cocset - cello I, Antoine Ladrette - cello II. Recorded: July 31 - August 4, 2005, France.
1. Sarabande: Lentement, et Tres proprement. 2.Rondeau: Gayment - Tendrement - Gayment. 3.Gigue: La Coquette. 4. Badine.
baroque lute for 13 choirs. Album 2000.
Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Rolf LISLEVAND - vihuela de mano. Recorded at Studio Fondation Tibor Varga, Sion (Switzerland), August 1998.
Baroque lute for 13 choirs. Album 2000.
continuo: Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo), Eduardo Equez (theorbo), Guido Morini (harpsichord) / 1995, Arezzo
continuo: Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo), Eduardo Equez (theorbo), Guido Morini (harpsichord) / 1995, Arezzo
continuo: Guido Balestracci (viola da gamba), Rolf Lislevand (theorbo), Eduardo Equez (theorbo), Guido Morini (harpsichord) / 1995, Arezzo
from the album `La musique au temps de Marin Marais` (France, 1992)
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
recorded in 1996 in Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
1. Prelude: Tres lentement. 2. Allemande: Pas trop viste. 3.Sarabande: Tres proprement. 4.La Parisienne: Tres legerement. 5.Chaconne: Pique.
1999, Baden. Continuo: Rolf Lislevand & Wolfgang Zerer
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adella Gonzales-Campa (castagnettes) / 1997, Switzerland
1. Lentement. 2.Courante: Affectueusement. 3.Rigaudon en Rondeau. 4.Gigue. 5.Fugue.
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
recorded 1996 in Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
Montserrat FIGUERAS & Rolf LISLEVAND / Arianna Savall (arpa doppia); Pedro Estevan (percussions); Adela Gonzales-Campa (castagnettes) / 1997, Switzerland
colascione - Brian Feehan, baroque guitar - Eduardo Eguez, percussion - Pedro Estevan // recorded in 1993.
colascion – Brian Feehan, baroque guitar – Eduardo Eguez, percussion – Pedro Estevan recording 1993.
baroque guitar - Eduardo Eguez, gamba - Lorentz Duftschmid // recorded in 1993.