Parts of Works,  (Strauss)

Richard Strauss (1864–1949)


Parts of Works

   

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`Salome`, Op. 54, `Dance of the Seven Veils`. Recording - September 14 , 1943
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Tanz der sieben Schleier from `Salome`. Recording 1972
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Dance of the seven veils from `Salome`. Recording of 1959
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Îð. 17, ¹ 2 (Staendchen). Recorded: April 3, 1939, New York. Tr. by Gieseking.
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2. An einsamer Quelle. Lento.
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¹ 2, `Àn einsamer Quelle`. March 27 1934, London. Arr. - J. Heifetz.
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`Daphne` Etude
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Prelude for String Sextet from Capriccio, op. 85. Cecil Aronowitz - viola, William Pleeth - cello. Queen Elizabeth Hall, London, 4 May 1971.
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Îð. 9, ¹ 2. 1986.
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``Dance of the 7 veils`` (from `Salome`). ROYAL PHILHARMONIC ORCHESTRA. Taken from a 12 LP records box set released by READER`S DIGEST/RCA VICTOR in 1964. Recorded in England.``
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`Cavalier of the Rose`: Finale of Act 2. R.Mayr, Annie Andrashshi. Symphony Orchestra. May 18, 1929.
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`Cavalier of the Rose`: Waltz. 1930
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`Salome`: Salome`s Dance (Dance of the Seven Veils). 1930
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Vals from `Der Rosenkavalier`, arr. by Váša Příhoda. piano. Released 1997
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Îð. 48, ¹ 1. Recorded: August 12, 1979.
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Die Frau ohne Schatten (orchestral excerpts). London Philharmonic Orchestra, conductor - Vladimir Jurowski. Royal Festival Hall, London, 26 September 2012.
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Live - 3 October 1976 - Moonlight Interlude and Finale
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Introduktion and Moonlight Music
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Dance of the Seven Veils
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Suite for Orchestra
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Îð. 9, ¹ 1. Recorded: September 24-26, 2012, Normandy.
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Walzerfolge aus `Der Rosenkavalier`. Recorded in 1984.
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The first suite of waltzes from the opera The Cavalier of the Rose. Recording - September 1960, Amsterdam.
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The second suite of waltzes from the opera The Cavalier of the Rose. Recording - September 1960, Amsterdam.
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`Dance of the Seven Veils` (`Dance of Salome`) from the opera `Salome`
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April 1956 - Elektra - `Monologue, Recognition Scene and Finale`
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Îð. 49, ¹ 1. Recorded: May 19-21, 2014, Suffolk, UK.
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Paul Wolfrum. 2 fragments from opera `Capriccio`. 1985.
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Op. 47, No. 4. Entry - November 2010, London.
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`Salomes Tanz` from the opera ``Salome``, Op. 54. Re-issued in 1988.
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Suite from `Der Rosenkavalier`. Recorded: June 22-29, 1973, Dresden.
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`Salome`, op. 54, `Dance of the Seven Veils`. Recorded: June 1970, Dresden.
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``Salome`s Dance``. Slovak Philharmonic. Recorded at the Reduta Hall in Bratislava, October 1988-January 1989.
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``Waltz Sequence i`` from `Der Rosenkavalier, Op. 59`. Slovak Philharmonic. Recorded at the Reduta Hall in Bratislava, October 1988-January 1989.
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¹ 2, `Àn einsamer Quelle`. 1995-96.
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Fragment: `Falke, du wiedergefundener`. Recorded 1943
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Îð. 27, ¹ 4. 1944.
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Îð. 27, ¹ 3. Josef Herrmann - baritone. 1946.
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Op. 27, No. 4. 1934
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May 1976 - New York - Dance Of The Seven Veils From `Salome`, Op. 54
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Op. 10, No. 5 (`Geduld`). Entry 1933
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¹ 4.
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Hat Gesagt, Bleibt`s Nicht Dabei, Op.36, No.3. 1990 91
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Madrigal, Op.15, No. 1. 1990 91
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All Mein` Gedanken, Op.21, No.1. 1990/91.
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Muttertä
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Stä
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Schlechtes Wetter, Op.69, No.5. 1990 91
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The song `Malven`. 1990 91
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Song `Begegnung`. 1990 91
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`Love Scene` from Opera ``Feuersnot, Op. 50``. Recorded in Jesus-Christus-Kirche, Berlin (Germany), October 1995.
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`Prelude (String Sextet)` from Opera ``Capriccio, Op. 85``. Recorded in Jesus-Christus-Kirche, Berlin (Germany), October 1995.
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`Prelude to Act 1` from Opera ``Guntram, Op. 25``. Recorded in Jesus-Christus-Kirche, Berlin (Germany), October 1995.
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Prelude for String Sextet from Capriccio, op. 85. MARIANNE THORSEN, MALIN BROMAN violin, LAWRENCE POWER, PHILIP DUKES viola, PAUL WATKINS, PIERRE DOUMENGE cello. Recorded in Henry Wood Hall, London, on 12–14 April 2006.
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Capriccio, Op.85: Letzte Szene - Andante con moto (Mondscheinmusik). Recorded: February 1990, London.
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Salome, Op. 54, TrV 215 Ah! Du wolltest mich nicht deinen Mund kü
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Ariadne auf Naxos, Op. 60, TrV 228a Ein Schö
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Ariadne auf Naxos, Op. 60, TrV 228a Es gibt ein Reich, wo alles rein ist
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Die Liebe der Danae, Op. 83, TrV 278 Wie umgibst du mich mit Frieden
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Capriccio, Op. 85, TrV 279 Wo ist mein Bruder
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Capriccio, Op. 85, TrV 279 Kein Andres, das mir so im Herzen loht
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Arabella, Op. 79, TrV 263 Er ist der Richtige nicht fü
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Arabella, Op. 79, TrV 263 Das war sehr gut, Mandryka
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