The Steve Reich Ensemble.
Recorded June 1996 at the Hit Factory, New York City. Engineered by John Kilgore. 
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2008, ÑØÀ
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1998
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Steve Reich and musicians with chorus and members of the Brooklyn Philharmonic. (1985)
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The work was recorded in 1988 under the name Electric Counterpoint for electric guitar(s). Pat Metheny played all guitars and bass.
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Tribute to Isaac Stern. Ensemble of Karlsruhe.
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Jeroen van Veen, multitrack pianos. Rec. 10 March 2010.
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Drumming
Dmitry Vlasik (percussion), Andrey Winnitsky (percussion), Ivan Bushuyev (flute), Ilya Melikhov (percussion) 
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Tehillim for Voices and Ensemble (1981)
Reinbert de Leeuw , Contemporary Music Ensemble `The XX-th Century` 
Schoenberg Ensemble with Percussion Group Hague
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Marimba - Russ Hartenberger, Bob Becker, Tim Ferchen and Steve Reich Glockenspiel - Glen Velez and Ben Harms Metallophone - James Freiss Vocals - Janice Jarrett, Joan LaBarbara and Jay Clayton Electric Organ - Steve Chambers
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Pulse - Sections I-X - Pulse
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Recorded: February 21-24, 2011, at Studio Trilogy, San Francisco, CA.
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San Francisco Instrumental Ensemble.
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The Cave, opera in 3 acts (1989-1992)
Paul Hillier (conductor) , The Steve Reich Ensemble (Steve Reich and Musicians) 
THE STEVE REICH ENSEMBLE CONDUCTED BY PAUL HILLER.
Soprano: Cheryl Bensman Rowe, Marion Beckenstein; Tenor: James Bassi; Baritone: Hugo Munday. Percussion: Bob Becker, Russ Hartenberger, Garry Kvistad, Thad Wheeler. Piano, Keyboards: Nyrit Tilles, Edmund Niemann, Philip Bush. Violin: Elizabeth Lim, Todd Reinolds; Viola: Scott Rawls; Cello: Jeanne LeBlank. Flutes, Oboe, Englisn Horn, Clarinet, Bass Clarinet: Leslie Scott, Al Hunt.
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London Symphony Orchestra, Conductor - Michael Tilson Thomas
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Theatre of Voices with members of The Steve Reich Ensemble.
Recorded June 1996 at the Hit Factory, NYC. Engineered by John Kilgore
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2X5
Mark Stewart (guitars), Robert Black (double bass), Ken Thomson (clarinets) , Bang On a Can All-Stars 
2010
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1998, Canada (Quebec)
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Triple Quartet for advanced string quartet (with pre-recorded soundtrack) or for three string quartets, or for String Orchestra (1998)
Brad Lubman (conductor) , Ensemble Modern
14.09.2011 Laznia Nowa Theatre, Cracow
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Piano – Edmund Niemann, Nurit Tilles. Vibraphone – James Preiss, Thad Wheeler. Xylophone – Frank Cassara, Garry Kvistad. Recorded: February 21-24, 2011, at Studio Trilogy, San Francisco, CA.
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Soprano saxophone and recording on a computer.
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2014
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Bradley Lubman, conductor
Todd Reynolds, Gregor Kitzis, Jaqueline Carrasco, Elizabeth Knowles, violins Martha Mook, Ron Lawrence, violas Mark Stewart, Greg Passelink, cellos Patti Monson, David Fedele, flutes, piccolos Michael Lowenstern, Evan Ziporyn, clarinets, bass clarinets Edmund Niemann, Nurit Tilles, pianos
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BWV 329. Gä
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Steve Reich and Musicians // recorded in 1980
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My Name Is, for recording and performers (1967)
Péter Eötvös (conductor) , Stuttgart Radio Symphony Orchestra 
w/ Schola Cantorum Stuttgart Ensemble
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Steve Reich and Musicians // recorded in 1980
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Sō Percussion: marimba – Adam Sliwinski, Josh Quillen; vibraphone – Eric Beach, Jason Treuting. Recorded: February 21-24, 2011, at Studio Trilogy, San Francisco, CA.
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Electric Guitar Phase, for electric guitar and recording (or quartet of electroguitarists) (2000)
Dominic Frasca (e-guitar) 
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ALARM WILL SOUND AND OSSIA (Ensemble). Recorded May and September 2000 at the Kresge Recording Studios of the Eastman School of Music, Rochester, New York (USA).
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Radio Rewrite for ensemble (2012). Alarm Will Sound, conductor Alan Pierson. Recorded April 3, 2014, in Studio A at Avatar Studios, New York. Erin Lesser, flute; Elisabeth Stimpert, clarinet; Christopher Thompson, Matt Smallcomb, vibraphone; John Orfe, Michael Harley, piano; Courtney Orlando, Caleb Burhans, violin; Nathan Schram, viola; Stefan Freund, violoncello; Miles Brown, electric bass.
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Colin Currie Group
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Colin Currie Group
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Philharmonie, Essen, 12 November 2011, live.
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Bob Becker, Russell Hartenberger, Garry Kvistad, Glen Velez, marimbas, vibraphones, bass drums, crotales, tam-tams, sticks;
Edmund Niemann, Nurit Tilles, pianos, synthesizers
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Recorded March 1998 at Toms Studio, Hondo City, Kumamoto, Japan.
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