Ludwig van Beethoven (1770–1827)

Germany · Classicism (1730—1820)

2 arias for soprano, tenor & orchestra from singspiel “Die schöne Schusterin”, WoO 91 (1795)	WoO 91
2 German dances for piano, Hess 67 (1811-12)	Hess 67
2 piano pieces “Lustig - traurig”, WoO 54 (1802)	WoO 54
2 Pieces, WoO 33b (c. 1795)	WoO 33b
2 Rondos for piano, Op. 51 (1796-97)	Op. 51
2 Triple Fugues, Hess 244 (1794-95)	Hess 244
3 Chorale Fugues, Hess 239 (1794-95)	Hess 239
3 Equale for four trombones, WoO 30 (1812)	WoO 30
3 Fugue Themes (an exercise in counterpoint?), Bia. 68 (c. 1794)	Bia. 68
3 Imitative Movements, Bia. 69 (c. 1794)	Bia. 69
3 sketches in C and G major for piano, Bia. 276 (c. 1800)	Bia. 276
4 Ariettas and duet for voice and piano, Op. 82 (1809-10)	Op. 82
5 four-part double fugues, Hess 243 (1794-95)	Hess 243
5 Pieces for Mechanical Clock, WoO 33	WoO 33
5 three-voice simple fugues, Hess 237 (1794-95)	Hess 237
5 Two-Voice Fugues, Hess 236 (1794-95)	Hess 236
6 Bagatelles for Piano, Op. 126 (1824)	Op. 126
6 easy variations on an Original Theme for piano in G major, WoO 77 (1800)	WoO 77
6 fugues for string quartet, Hess 238 (1794-95)	Hess 238
6 German Dances for Violin and Piano, WoO 42 (1796)	WoO 42
6 lieder verschiedener völker: No. 1 “When my Hero in court appears”, WoO 158c/1	WoO 158c/1
6 lieder verschiedener völker: No. 2 “Non, non, Colette n’est point trompeuse”, WoO 158c/2	WoO 158c/2
6 lieder verschiedener völker: No. 3 “Mark yonder pomp of costly fashion”, WoO 158c/3	WoO 158c/3
6 lieder verschiedener völker: No. 4 “Bonnie wee thing”, WoO 158c/4	WoO 158c/4
6 lieder verschiedener völker: No. 5 “From thee, Eliza, I must go”, WoO 158c/5	WoO 158c/5
6 lieder verschiedener völker: No. 6 “Untitled”, WoO 158c/6	WoO 158c/6
6 Minuets for 2 Violins & Cello, WoO 9 (1795)	WoO 9
6 National Airs with variations for Flute and Piano, Op. 105 (1818-19)	Op. 105
6 variations for piano in G major on the theme of the duet from the opera “ La Molinara” by G. Paisiello, WoO 70 (1795)	WoO 70
6 Variations on an Original Theme for piano in D major, Op. 76 (1809)	Op. 76
6 Variations on an Original Theme for piano in F major, Op. 34 (1802)	Op. 34
6 waltzes for piano (doubtful authorship), Anh.14	Anh.14
7 Bagatelles for piano, Op. 33 (1801-02)	Op. 33
7 variations for piano and cello on the theme “Bei Männern, welche Liebe fühlen” from the opera “Die Zauberflöte” by Mozart E-flat major, WoO 46 (1801)	WoO 46
7 variations for piano on “Kind, willst du ruhig schlafen” from Peter Winter’s opera “Das unterbrochene Opferfest” in F major, WoO 75 (1799)	WoO 75
7 Variations on “God save the King” in C major, WoO 78 (1802-03)	WoO 78
8 songs, Op. 52	Op. 52
8 variations for piano four hands on a theme by Count von Waldstein C major, WoO 67 (1792)	WoO 67
8 variations for piano on “Tändeln und scherzen” from Franz Xaver Süssmayr’s opera Soliman II in F major, WoO 76 (1799)	WoO 76
8 variations for piano on a theme from the opera “Richard Coeur-de-lion” Gretry in C major, WoO 72 (1795-98)	WoO 72
9 German dances for piano 4 hands (apocryphal?), Anh. 9 (c. 1815)	Anh. 9
9 variations for piano on a march by E.Chr. Dressler, WoO 63 (1782)	WoO 63
9 variations for piano on a theme from the opera “La molinara” G. Paisiello A major, WoO 69 (1795)	WoO 69
10 National Airs with Variations for Flute and Piano, Op. 107 (1818-19)	Op. 107
10 Variations for Piano on a theme from the opera “Falstaff” by A. Salieri in B-flat major, WoO 73 (1799)	WoO 73
10 Variations in G major for piano trio on Wenzel Müller’s “Ich bin der Schneider Kakadu”, Op. 121a (c. 1803)	Op. 121a
12 contredanses for orchestra, WoO 14	WoO 14
12 Contredanses for Piano, Hess 102 (1800-02)	Hess 102
12 ecossaises for orchestra / piano (apocrypha), WoO 16	WoO 16
12 German dances for orchestra, WoO 8 (1795)	WoO 8
12 German Dances for orchestra, WoO 13 (1792-97)	WoO 13
12 German Dances for Piano, Hess 100 (1795)	Hess 100
12 Irish songs: No. 1 “The Elfin Fairies”, WoO 154/1 (1812-13)	WoO 154/1
12 Irish songs: No. 2 “O Harp of Erin”, WoO 154/2 (1812-13)	WoO 154/2
12 Irish songs: No. 3 “The Farewell Song”, WoO 154/3 (1812-13)	WoO 154/3
12 Irish songs: No. 4 “The pulse of an Irishman”, WoO 154/4 (1812-13)	WoO 154/4
12 Irish songs: No. 5 “O who, my dear Dermot”, WoO 154/5 (1812-13)	WoO 154/5
12 Irish songs: No. 6 “Put round the bright wine”, WoO 154/6 (1812-13)	WoO 154/6
12 Irish songs: No. 7 “From Garyon, my happy home”, WoO 154/7 (1812-13)	WoO 154/7
12 Irish songs: No. 8 “Save me from the grave and wise”, WoO 154/8 (1812-13)	WoO 154/8
12 Irish songs: No. 9 “O would I were but that sweet linnet!”, WoO 154/9 (1812-13)	WoO 154/9
12 Irish songs: No. 10 “The hero may perish”, WoO 154/10 (1812-13)	WoO 154/10
12 Irish songs: No. 11 “The soldier in A Foreign Land”, WoO 154/11 (1812-13)	WoO 154/11
12 Irish songs: No. 12 “He promised me at parting”, WoO 154/12 (1812-13)	WoO 154/12
12 lieder verschiedener völker: No. 1 “God save the King”, WoO 157/1 (1815-20)	WoO 157/1
12 lieder verschiedener völker: No. 2 “The Soldier ”, WoO 157/2 (1815-20)	WoO 157/2
12 lieder verschiedener völker: No. 3 “Charlie is my darling”, WoO 157/3 (1815-20)	WoO 157/3
12 lieder verschiedener völker: No. 4 “O sanctissima”, WoO 157/4 (1815-20)	WoO 157/4
12 lieder verschiedener völker: No. 5 “The Miller of Dee”, WoO 157/5 (1815-20)	WoO 157/5
12 lieder verschiedener völker: No. 6 “A health to the brave”, WoO 157/6 (1815-20)	WoO 157/6
12 lieder verschiedener völker: No. 7 “Robin Adair”, WoO 157/7 (1815-20)	WoO 157/7
12 lieder verschiedener völker: No. 8 “By the side of the Shannon”, WoO 157/8 (1815-20)	WoO 157/8
12 lieder verschiedener völker: No. 9 “Highlander’s Lament”, WoO 157/9 (1815-20)	WoO 157/9
12 lieder verschiedener völker: No. 10 “Sir Johnnie Cope”, WoO 157/10 (1815-20)	WoO 157/10
12 lieder verschiedener völker: No. 11 “The wandering minstrel”, WoO 157/11 (1815-20)	WoO 157/11
12 lieder verschiedener völker: No. 12 “La gondoletta”, WoO 157/12 (1815-20)	WoO 157/12
12 Minuets for orchestra, WoO 7 (1795)	WoO 7
12 minuets for piano, Hess 101 (1795)	Hess 101
12 Scottish Songs: No. 1 “The Banner of Buccleuch”, WoO 156/1 (1815-19)	WoO 156/1
12 Scottish Songs: No. 2 “Duncan Gray”, WoO 156/2 (1815-19)	WoO 156/2
12 Scottish Songs: No. 3 “Up! Quit thy bower”, WoO 156/3 (1815-19)	WoO 156/3
12 Scottish Songs: No. 4 “Ye shepherds of this pleasant vale”, WoO 156/4 (1815-19)	WoO 156/4
12 Scottish Songs: No. 5 “Cease your funning”, WoO 156/5 (1815-19)	WoO 156/5
12 Scottish Songs: No. 6 “Highland Harry”, WoO 156/6 (1815-19)	WoO 156/6
12 Scottish Songs: No. 7 “Polly Stewart”, WoO 156/7 (1815-19)	WoO 156/7
12 Scottish Songs: No. 8 “Womankind”, WoO 156/8 (1815-19)	WoO 156/8
12 Scottish Songs: No. 9 “Lochnagar”, WoO 156/9 (1815-19)	WoO 156/9
12 Scottish Songs: No. 10 “Glencoe”, WoO 156/10 (1815-19)	WoO 156/10
12 Scottish Songs: No. 11 “Auld lang syne”, WoO 156/11 (1815-19)	WoO 156/11
12 Scottish Songs: No. 12 “The Quaker’s Wife”, WoO 156/12 (1815-19)	WoO 156/12
12 Variations for cello and piano on “Ein Mädchen oder Weibchen” from Mozart’s The Magic Flute, Op. 66 (1796)	Op. 66
12 variations for piano and cello on a theme from the oratorio “Judas Makkabäus” by Handel, WoO 45 (1796)	WoO 45
12 Variations for piano on a theme from the ballet “La Nozze disturbato” by Jakob Haibel C major, WoO 68 (1795)	WoO 68
12 Variations for Piano on the theme of Russian Dance from the Ballet “Das Waldmädchen” by Paul Wranitzky in A major, WoO 71 (1796-97)	WoO 71
12 variations for violin and piano on “Se vuol ballare” from the opera “Le nozze di Figaro” by Mozart, WoO 40 (1792-93)	WoO 40
13 variations for piano on theme by Carl von Dittersdorf in A major, WoO 66 (1792)	WoO 66
14 Variations in E-flat major for piano, violin and cello, Op. 44 (1792)	Op. 44
15 Variations and Fugue in E-flat major for piano, “Eroica Variations”, Op. 35 (1802)	Op. 35
18 sketches, Bia. 96 (1795)	Bia. 96
20 Irische Lieder: No. 1 “When Eve’s last rays in twilight die”, WoO 153/1 (1810-13)	WoO 153/1
20 Irische Lieder: No. 2 “No riches from his scanty store”, WoO 153/2 (1810-13)	WoO 153/2
20 Irische Lieder: No. 3 “The British Light Dragoons; or The Plain of Badajos”, WoO 153/3 (1810-13)	WoO 153/3
20 Irische Lieder: No. 4 “Since greybeards inform us that youth will decay”, WoO 153/4 (1810-13)	WoO 153/4
20 Irische Lieder: No. 5 “I dreamd I lay where flow’rs were springing”, WoO 153/5 (1810-13)	WoO 153/5
20 Irische Lieder: No. 6 “Sad and luckless was the season”, WoO 153/6 (1810-13)	WoO 153/6
20 Irische Lieder: No. 7 “O soothe me, my lyre”, WoO 153/7 (1810-13)	WoO 153/7
20 Irische Lieder: No. 8 “Farewell mirth and hilarity: Norah of Balamagairy”, WoO 153/8 (1810-13)	WoO 153/8
20 Irische Lieder: No. 9 “The kiss, dear maid, thy lip has left”, WoO 153/9 (1810-13)	WoO 153/9
20 Irische Lieder: No. 10 “Oh! Thou hapless soldier”, WoO 153/10 (1810-13)	WoO 153/10
20 Irische Lieder: No. 11 “When far from the home”, WoO 153/11 (1810-13)	WoO 153/11
20 Irische Lieder: No. 12 “I’ll praise the saints with early song”, WoO 153/12 (1810-13)	WoO 153/12
20 Irische Lieder: No. 13 “’Tis sunshine at last”, WoO 153/13 (1810-13)	WoO 153/13
20 Irische Lieder: No. 14 “Paddy O’Rafferty”, WoO 153/14 (1810-13)	WoO 153/14
20 Irische Lieder: No. 15 “’Tis but in vain, for nothing thrives”, WoO 153/15 (1810-13)	WoO 153/15
20 Irische Lieder: No. 16 “O might I but my Patrick love!”, WoO 153/16 (1810-13)	WoO 153/16
20 Irische Lieder: No. 17 “Come, Darby dear! easy be easy”, WoO 153/17 (1810-13)	WoO 153/17
20 Irische Lieder: No. 18 ’No more, my Mary, I sigh for splendour, WoO 153/18 (1810-13)	WoO 153/18
20 Irische Lieder: No. 19 “Judy, lovely matchless creature”, WoO 153/19 (1810-13)	WoO 153/19
20 Irische Lieder: No. 20 “Thy ship must sail, my Henry dear”, WoO 153/20 (1810-13)	WoO 153/20
23 lieder verschiedener völker: No. 1 “Ridder Stigs Runer”, WoO 158a/1 (1816-17)	WoO 158a/1
23 lieder verschiedener völker: No. 2 “Horch auf, mein Liebchen”, WoO 158a/2 (1816-17)	WoO 158a/2
23 lieder verschiedener völker: No. 3 “Wegen meiner bleib d’Fraula”, WoO 158a/3 (1816-17)	WoO 158a/3
23 lieder verschiedener völker: No. 4 “Wann i in der Früh aufsteh”, WoO 158a/4 (1816-17)	WoO 158a/4
23 lieder verschiedener völker: No. 5 “Teppichkramer-Lied”, WoO 158a/5 (1816-17)	WoO 158a/5
23 lieder verschiedener völker: No. 6 “A Madel, ja a Madel”, WoO 158a/6 (1816-17)	WoO 158a/6
23 lieder verschiedener völker: No. 7 “Wer solche Buema afipackt”, WoO 158a/7 (1816-17)	WoO 158a/7
23 lieder verschiedener völker: No. 8 “Ih mag di nit nehma”, WoO 158a/8 (1816-17)	WoO 158a/8
23 lieder verschiedener völker: No. 9 “Oj, oj upilem sie w karczmie”, WoO 158a/9 (1816-17)	WoO 158a/9
23 lieder verschiedener völker: No. 10 “Poszla baba po popiol”, WoO 158a/10 (1816-17)	WoO 158a/10
23 lieder verschiedener völker: No. 11 “Yo no quiero embarcarme”, WoO 158a/11 (1816-17)	WoO 158a/11
23 lieder verschiedener völker: No. 12 “Seus lindos olhos”, WoO 158a/12 (1816-17)	WoO 158a/12
23 lieder verschiedener völker: No. 13 “Vo lesocke komarockov mnogo urodilos”, WoO 158a/13 (1816-17)	WoO 158a/13
23 lieder verschiedener völker: No. 14 “Akh, Recen’ki, recen’ki”, WoO 158a/14 (1816-17)	WoO 158a/14
23 lieder verschiedener völker: No. 15 “Kak posli nasi podruzki”, WoO 158a/15 (1816-17)	WoO 158a/15
23 lieder verschiedener völker: No. 16 “Schoene Minka, ich muss scheiden”, WoO 158a/16 (1816-17)	WoO 158a/16
23 lieder verschiedener völker: No. 17 “Lilla Car (Vaggvisa)”, WoO 158a/17 (1816-17)	WoO 158a/17
23 lieder verschiedener völker: No. 18 “An ä Bergli bin i gesasse”, WoO 158a/18 (1816-17)	WoO 158a/18
23 lieder verschiedener völker: No. 19 “Una paloma blanca”, WoO 158a/19 (1816-17)	WoO 158a/19
23 lieder verschiedener völker: No. 20 “Como la mariposa soy”, WoO 158a/20 (1816-17)	WoO 158a/20
23 lieder verschiedener völker: No. 21 “Tiranilla Espanola”, WoO 158a/21 (1816-17)	WoO 158a/21
23 lieder verschiedener völker: No. 22 “Edes kinos emlekezet (Magyar Szuretölö Enek)”, WoO 158a/22 (1816-17)	WoO 158a/22
23 lieder verschiedener völker: No. 23 “Da brava, Catina”, WoO 158a/23 (1816-17)	WoO 158a/23
24 Variations for piano on “Vieni amore” by Righini D major, WoO 65 (1790-91)	WoO 65
25 Irish folksongs: No. 1 “The Return to Ulster”, WoO 152/1 (1810-12)	WoO 152/1
25 Irish folksongs: No. 2 “Sweet Power of Song!”, WoO 152/2 (1810-12)	WoO 152/2
25 Irish folksongs: No. 3 “Once more I hail thee”, WoO 152/3 (1810-12)	WoO 152/3
25 Irish folksongs: No. 4 “The morning air plays on my face”, WoO 152/4 (1810-12)	WoO 152/4
25 Irish folksongs: No. 5 “On the Massacre of Glencoe”, WoO 152/5 (1810-12)	WoO 152/5
25 Irish folksongs: No. 6 “What shall I do to shew how much I love her?”, WoO 152/6 (1810-12)	WoO 152/6
25 Irish folksongs: No. 7 “His boat comes on the sunny tide”, WoO 152/7 (1810-12)	WoO 152/7
25 Irish folksongs: No. 8 “Come draw we round a cheerful ring”, WoO 152/8 (1810-12)	WoO 152/8
25 Irish folksongs: No. 9 “Our bugles sung truce; or The Soldier’s Dream”, WoO 152/9 (1810-12)	WoO 152/9
25 Irish folksongs: No. 10 “The Deserter”, WoO 152/10 (1810-12)	WoO 152/10
25 Irish folksongs: No. 11 “Thou emblem of Faith (Upon returning a ring)”, WoO 152/11 (1810-12)	WoO 152/11
25 Irish folksongs: No. 12 “English Bulls; or, The Irishman in London”, WoO 152/12 (1810-12)	WoO 152/12
25 Irish folksongs: No. 13 “Musing on the roaring ocean”, WoO 152/13 (1810-12)	WoO 152/13
25 Irish folksongs: No. 14 “Dermot and shelah”, WoO 152/14 (1810-12)	WoO 152/14
25 Irish folksongs: No. 15 “Let brain-spinning swains”, WoO 152/15 (1810-12)	WoO 152/15
25 Irish folksongs: No. 16 “Hide not thy anguish”, WoO 152/16 (1810-12)	WoO 152/16
25 Irish folksongs: No. 17 “In vain to this desert my fate I deplore”, WoO 152/17 (1810-12)	WoO 152/17
25 Irish folksongs: No. 18 “They bid me slight my Dermot Dear”, WoO 152/18 (1810-12)	WoO 152/18
25 Irish folksongs: No. 19 “Wife, Children and Friends”, WoO 152/19 (1810-12)	WoO 152/19
25 Irish folksongs: No. 20 “Farewell bliss and farewell Nancy”, WoO 152/20 (1810-12)	WoO 152/20
25 Irish folksongs: No. 21 “Morning a cruel turmoiler is”, WoO 152/21 (1810-12)	WoO 152/21
25 Irish folksongs: No. 22 “From Garyone, my happy home”, WoO 152/22 (1810-12)	WoO 152/22
25 Irish folksongs: No. 23 “A wand’ring gypsey, Sirs, am I”, WoO 152/23 (1810-12)	WoO 152/23
25 Irish folksongs: No. 24 “The Traugh Welcome”, WoO 152/24 (1810-12)	WoO 152/24
25 Irish folksongs: No. 25 “O harp of Erin”, WoO 152/25 (1810-12)	WoO 152/25
25 Scottish Songs: No. 1 “Music, Love and Wine”, Op. 108/1 (1817)	Op. 108/1
25 Scottish Songs: No. 2 “Sunset”, Op. 108/2 (1818)	Op. 108/2
25 Scottish Songs: No. 3 “O sweet were the hours”, Op. 108/3 (1817)	Op. 108/3
25 Scottish Songs: No. 4 “The Maid of Isla”, Op. 108/4 (1817)	Op. 108/4
25 Scottish Songs: No. 5 “The sweetest lad was Jamie”, Op. 108/5 (1815)	Op. 108/5
25 Scottish Songs: No. 6 “Dim, dim is my eye”, Op. 108/6 (1815)	Op. 108/6
25 Scottish Songs: No. 7 “Bonnie Laddie, Highland Laddie”, Op. 108/7 (1815)	Op. 108/7
25 Scottish Songs: No. 8 “The lovely lass of Inverness”, Op. 108/8 (1816)	Op. 108/8
25 Scottish Songs: No. 9 “Behold, my Love”, Op. 108/9 (1817)	Op. 108/9
25 Scottish Songs: No. 10 “Sympathy”, Op. 108/10 (1815)	Op. 108/10
25 Scottish Songs: No. 11 “Oh, Thou Art the Lad of My Heart, Willy”, Op. 108/11 (1815)	Op. 108/11
25 Scottish Songs: No. 12 “Oh, Had My Fate Been Join’d With Thine”, Op. 108/12 (1816)	Op. 108/12
25 Scottish Songs: No. 13 “Come Fill, Fill, My Good Fellow”, Op. 108/13 (1817)	Op. 108/13
25 Scottish Songs: No. 14 “O How Can I Be Blithe”, Op. 108/14 (1816)	Op. 108/14
25 Scottish Songs: No. 15 “O Cruel was My Father”, Op. 108/15 (1816)	Op. 108/15
25 Scottish Songs: No. 16 “Could This Ill World Have Been Contriv’d”, Op. 108/16 (1816)	Op. 108/16
25 Scottish Songs: No. 17 “O Mary at Thy Window Be”, Op. 108/17 (1817)	Op. 108/17
25 Scottish Songs: No. 18 “Enchantress, Farewell”, Op. 108/18 (1818)	Op. 108/18
25 Scottish Songs: No. 19 “O Swiftly Glides the Bonny Boat”, Op. 108/19 (1815)	Op. 108/19
25 Scottish Songs: No. 20 “Faithfu” Johnie’, Op. 108/20 (1813)	Op. 108/20
25 Scottish Songs: No. 21 “Jeanie’s Distress”, Op. 108/21 (1817)	Op. 108/21
25 Scottish Songs: No. 22 “The Highland Watch”, Op. 108/22 (1817)	Op. 108/22
25 Scottish Songs: No. 23 “The Shepherd’s Song”, Op. 108/23 (1818)	Op. 108/23
25 Scottish Songs: No. 24 “Again, my Lyre, yet once again”, Op. 108/24 (1815)	Op. 108/24
25 Scottish Songs: No. 25 “Sally in Our Alley”, Op. 108/25 (1817)	Op. 108/25
26 Walisische Lieder: No. 1 “Sion, The Son of Evan”, WoO 155/1 (1810-15)	WoO 155/1
26 Walisische Lieder: No. 2 “The Monks of Bangor’s March”, WoO 155/2 (1810-15)	WoO 155/2
26 Walisische Lieder: No. 3 “The Cottage Maid”, WoO 155/3 (1810-15)	WoO 155/3
26 Walisische Lieder: No. 4 “Love without hope”, WoO 155/4 (1810-15)	WoO 155/4
26 Walisische Lieder: No. 5 “The Golden Robe”, WoO 155/5 (1810-15)	WoO 155/5
26 Walisische Lieder: No. 6 “The Fair Maid of Mona”, WoO 155/6 (1810-15)	WoO 155/6
26 Walisische Lieder: No. 7 “O let the night my blushes hide”, WoO 155/7 (1810-15)	WoO 155/7
26 Walisische Lieder: No. 8 “Farewell, thou noisy town”, WoO 155/8 (1810-15)	WoO 155/8
26 Walisische Lieder: No. 9 “To the Aeolian Harp”, WoO 155/9 (1810-15)	WoO 155/9
26 Walisische Lieder: No. 10 “Ned Pugh’s Farewell”, WoO 155/10 (1810-15)	WoO 155/10
26 Walisische Lieder: No. 11 “Merch Megan; or, Peggy’s Daughter”, WoO 155/11 (1810-15)	WoO 155/11
26 Walisische Lieder: No. 12 “Waken, lords and ladies gay”, WoO 155/12 (1810-15)	WoO 155/12
26 Walisische Lieder: No. 13 “Helpless Woman”, WoO 155/13 (1810-15)	WoO 155/13
26 Walisische Lieder: No. 14 “The Dream”, WoO 155/14 (1810-15)	WoO 155/14
26 Walisische Lieder: No. 15 “When mortals all to rest retire”, WoO 155/15 (1810-15)	WoO 155/15
26 Walisische Lieder: No. 16 “The Damsels of Cardigan”, WoO 155/16 (1810-15)	WoO 155/16
26 Walisische Lieder: No. 17 “The Dairy House”, WoO 155/17 (1810-15)	WoO 155/17
26 Walisische Lieder: No. 18 “Sweet Richard”, WoO 155/18 (1810-15)	WoO 155/18
26 Walisische Lieder: No. 19 “The Vale of Clwyd”, WoO 155/19 (1810-15)	WoO 155/19
26 Walisische Lieder: No. 20 “To the Blackbird”, WoO 155/20 (1810-15)	WoO 155/20
26 Walisische Lieder: No. 21 “Cupid’s kindness”, WoO 155/21 (c. 1816)	WoO 155/21
26 Walisische Lieder: No. 22 “Constancy”, WoO 155/22 (1810-15)	WoO 155/22
26 Walisische Lieder: No. 23 “The Old Strain”, WoO 155/23 (1810-15)	WoO 155/23
26 Walisische Lieder: No. 24 “Three Hundred Pounds”, WoO 155/24 (1810-15)	WoO 155/24
26 Walisische Lieder: No. 25 “The Parting Kiss”, WoO 155/25 (1810-15)	WoO 155/25
26 Walisische Lieder: No. 26 “Good Night”, WoO 155/26 (1810-15)	WoO 155/26
32 Variations in C minor, WoO 80 (1806)	WoO 80
33 Variations on a waltz by Anton Diabelli, Op. 120 (1819-23)	Op. 120
Adagio for horn duet in F major, Hess 297 (1815)	Hess 297
Adagio for Mandoline and Piano in E-flat major, WoO 43b (1796)	WoO 43b
Adagio ma non molto in G major (fragment), Hess 70 (c. 1803)	Hess 70
Air Français, WoO 158d	WoO 158d
Allegretto for Piano in B minor, WoO 61 (1821)	WoO 61
Allegretto for Piano in C minor, WoO 53 (1796-97)	WoO 53
Allegretto for Piano Trio in B-flat major, WoO 39 (1812)	WoO 39
Allegretto for Piano Trio in E-flat major, Hess 48 (1783)	Hess 48
Allegretto for String Quartet in B minor (fragment), Hess 35 (WoO 210) (1817)	Hess 35 (WoO 210)
Allegretto quasi andante for piano in G minor, WoO 61a (1825)	WoO 61a
Allegro (bagatelle) in A-flat major, WoO 213/3 (1793)	WoO 213/3
Allegro for piano 4 hands in B-flat major, Anh. 8/2	Anh. 8/2
Allegro for piano in C major, Bia. 279 (c. 1800)	Bia. 279
Allegro for String Quartet in A major, Hess 334 (c. 1801)	Hess 334
Allemande for piano in A major, WoO 81 (c. 1793)	WoO 81
Andante (bagatelle) in D-flat major, WoO 213/1 (1793)	WoO 213/1
Andante and variations for mandolin and harpsichord in D major, WoO 44b (1796)	WoO 44b
Andante favori for piano in F major, WoO 57 (1803-04)	WoO 57
Andante for piano in B-flat major, Bia. 272 (c. 1800)	Bia. 272
Andante for Piano in C major, WoO 211 (1792-93)	WoO 211
Andante for piano in C major, Bia. 52 (1792-93)	Bia. 52
Andante for piano in F major, Bia. 270 (c. 1800)	Bia. 270
Andante in C major for string quartet (sketch), Bia. 274 (c. 1800)	Bia. 274
Andante maestoso in C major “Letzter musikalischer Gedanke”, WoO 62 (1826)	WoO 62
Andante molto for piano in E-flat major, Bia. 269 (c. 1800)	Bia. 269
Anglaise for piano in D major, Hess 61 (1798-99)	Hess 61
Anglese (English dance) for piano in G major, Bia. 48 (1792-93)	Bia. 48
Aria “Mit Mädeln sich vertragen” for Voice and Orchestra in D major, WoO 90 (1790-92)	WoO 90
Aria “Prüfung des Küssens” for bass and orchestra in F major, WoO 89 (1790-92)	WoO 89
Ariette “Der Kuss” for voice and piano, Op. 128 (1798)	Op. 128
Bagatelle for piano in A major (sketch), Bia. 53 (1792-93)	Bia. 53
Bagatelle for Piano in A minor “For Elise”, WoO 59 (1808-10)	WoO 59
Bagatelle for Piano in A-flat major, Bia. 284 (1799)	Bia. 284
Bagatelle for Piano in B-flat major, WoO 60 (1818)	WoO 60
Bagatelle for Piano in C major, WoO 56 (1803)	WoO 56
Bagatelle for Piano in C major, Hess 73 (1800)	Hess 73
Bagatelle for Piano in C major, Hess 57 (1823)	Hess 57
Bagatelle for piano in C minor, WoO 52 (1795)	WoO 52
Bagatelle for Piano in C minor, Hess 69 (c. 1797)	Hess 69
Bagatelle for piano in C minor, version one, Hess 66 (1796-97)	Hess 66
Bagatelle for Piano in E-flat major, Hess 74 (1800)	Hess 74
Ballet “The Creations of Prometheus, or The Power of Music and Dance”, version for piano, Hess 90 (1800-01)	Hess 90
Ballet “The Creatures of Prometheus”, Op. 43 (1800-01)	Op. 43
“Bußlied”: alternative ending, Hess 141 (c. 1803)	Hess 141
C. F. D. Schubart — Beethoven. “Abschiedslied”, piano transcription, Hess 63 (1788-90)	Hess 63
C. F. D. Schubart — Beethoven. “Abschiedslied”, piano transcription, Hess 63 (1788-90)	Hess 63
Cadenza to Piano Concerto op.61a, Hess 85 (c. 1809)	Hess 85
Canon a 2 “Ars Longa Vita Brevis”, WoO 170 (1816)	WoO 170
Canon à 2 “Auf einen, welcher Hoffmann geheißen”, WoO 180 (1820)	WoO 180
Canon a 2 “Freu dich des Leben”, WoO 195 (1825)	WoO 195
Canon à 2 “Gott ist eine feste Burg”, WoO 188 (1825)	WoO 188
Canon a 2 “Ich kuesse Sie”, WoO 169 (1816)	WoO 169
Canon à 2 “Ich war hier, Doktor”, WoO 190 (1825)	WoO 190
Canon a 2 “Languisco e moro”, Hess 229 (1802-03)	Hess 229
Canon a 2 “Si non per portas, per muros”, WoO 194 (1825)	WoO 194
Canon à 2 “Te solo adoro”, WoO 186 (1824)	WoO 186
Canon a 2 “Wir irren allesamt, nur jeder irret anders”, WoO 198 (1826)	WoO 198
Canon a 3 “Esel aller Esel, hi ha”, Hess 277 (c. 1801)	Hess 277
Canon a 3 “Ewig dein”, WoO 161 (1811)	WoO 161
Canon à 3 “Freundschaft ist die Quelle wahrer Glückseligkeit”, WoO 164 (1814)	WoO 164
Canon à 3 “Glück, Glück zum neuen Jahr”, WoO 176 (1819)	WoO 176
Canon a 3 “Herr Graf, ich komme zu fragen”, Hess 276 (1797)	Hess 276
Canon a 3 “Im Arm der Liebe ruht sich’s wohl”, WoO 159 (1795)	WoO 159
Canon à 3 “Kühl, nicht lau”, WoO 191 (1825)	WoO 191
Canon a 3 “Kurz ist der Schmerz, und ewig die Freude” in A-flat major, WoO 163 (1813)	WoO 163
Canon à 3 “Kurz ist der Schmerz, und ewig ist die Freude”, WoO 166 (1815)	WoO 166
Canon à 3 “O Tobias”, WoO 182 (1821)	WoO 182
Canon a 3 “Signor Abate”, WoO 178 (1820)	WoO 178
Canon a 4 “Alles Gute, alles Schoene” in C major, WoO 179 (1819)	WoO 179
Canon à 4 “Ars longa, vita brevis”, WoO 192 (1825)	WoO 192
Canon à 4 “Ars longa, vita brevis”, WoO 193 (1825)	WoO 193
Canon à 4 “Auf einen, welcher Schwenke geheißen”, WoO 187 (1824)	WoO 187
Canon à 4 “Bester Herr Graf”, WoO 183 (1823)	WoO 183
Canon a 4 “Bester Magistrat, ihr friert” (with two double-basses), WoO 177 (1820)	WoO 177
Canon a 4 “Brauchle, Linke”, WoO 167 (1815)	WoO 167
Canon à 4 “Doktor sperrt das Tor dem Tod”, WoO 189 (1825)	WoO 189
Canon a 4 “Es muss sein” in F major, WoO 196 (1826)	WoO 196
Canon a 4 “Glaube und hoffe”, WoO 174 (1819)	WoO 174
Canon a 4 “Glueck zum neuen Jahr”, WoO 165 (1815)	WoO 165
Canon a 4 “Ta, ta, ta, lieber Maelzel”, WoO 162 (c. 1815)	WoO 162
Canon a 5 “Das ist das Werk, sorgt um das Geld!”, WoO 197 (1826)	WoO 197
Canon à 5 “Falstafferel”, WoO 184 (1823)	WoO 184
Canon à 6 “Edel sei der Mensch”, WoO 185 (1823)	WoO 185
Canon for Two Violins in A major, WoO 35 (1825)	WoO 35
Cantata “Auf den Tod Kaiser Joseph II” for Soprano, Bass, Choir & Orchestra in C minor, WoO 87 (1790)	WoO 87
Cantata “Auf die Erhebung Leopold II zur Kaiserwürde”, WoO 88 (1790)	WoO 88
Cantata “Der glorreiche Augenblick” for 4 soloists, chorus and orchestra, Op. 136 (1814)	Op. 136
Cantata “Meeresstille und glückliche Fahrt” for Mixed Choir and Orchestra in D major, Op. 112 (1814-15)	Op. 112
Cantata for Soprano, Choir und Piano (Lobkowitz-Kantate) in E-flat major, WoO 106 (1823)	WoO 106
Cello part from an unidentified work: manuscript copy, Bia. 16	Bia. 16
Cello Sonata in E-flat major: arrangement of String Trio Op. 3 by an unidentified arranger, Op. 64 (1807)	Op. 64
Cello Sonata No. 1 in F major, Op. 5/1 (1796)	Op. 5/1
Cello Sonata No. 2 in G minor, Op. 5/2 (1796)	Op. 5/2
Cello Sonata No. 3 in A major, Op. 69 (1807-08)	Op. 69
Cello Sonata No. 4 in C major, Op. 102/1 (1815)	Op. 102/1
Cello Sonata No. 5 in D major, Op. 102/2 (1815)	Op. 102/2
Chord progression, Bia. 278 (c. 1800)	Bia. 278
Chorus “Wo sich die Pulse juegendlich jagen” from “Die Weihe des Hauses”, WoO 98 (1822)	WoO 98
Chorus for the Allied Princes, for chorus and orchestra, WoO 95 (1814)	WoO 95
Concert Aria “Ah, perfido” for Soprano and Orchestra, Op. 65 (1796)	Op. 65
Concerto for Oboe and Orchestra in F major (fragment, reconstruction), Hess 12 (1792-93)	Hess 12
Concerto for Violin, Cello, Piano & Orchestra in C major, Op. 56 (1804-05)	Op. 56
Counterpoint in octave (exercise), Bia. 71 (c. 1794)	Bia. 71
“Das liebe Kätzchen”, arrangement of an Austrian folk song, WoO 158/28 (Hess 133) (1820)	WoO 158/28 (Hess 133)
“Der arme Componist”, song for voice and piano: sketch, Bia. 15 (1788)	Bia. 15
“Der Knabe auf dem Berge”, arrangement of an Austrian folk song, WoO 158/29 (Hess 134) (1820)	WoO 158/29 (Hess 134)
“Die Ruinen von Athen”, Op. 113 (1811)	Op. 113
“Die Ruinen von Athen”: March and Chorus “Schmückt die Altäre!”, Op. 114 (1822)	Op. 114
Duet “Nei giorni tuoi felici ricordati di me” for soprano, tenor and orchestra E major, WoO 93 (1802)	WoO 93
Duet for Clarinet and Bassoon No. 1 in C major, WoO 27/1	WoO 27/1
Duet for Clarinet and Bassoon No. 2 in F major, WoO 27/2	WoO 27/2
Duet for Clarinet and Bassoon No. 3 in B-flat major, WoO 27/3	WoO 27/3
Duet for Two Violins in A major, WoO 34 (1822)	WoO 34
Duet for Viola and Cello in E-flat major, WoO 32 (1796-97)	WoO 32
Duo for two flutes in G major, WoO 26 (1792)	WoO 26
Duo for Violin and Cello in E-flat major (fragment), Gardi 2 (UnV 8) (1792)	Gardi 2 (UnV 8)
Ecossaise for piano in E-flat major, WoO 86 (1825)	WoO 86
Ecossaise für Militarmusik in D major, WoO 22 (1809-10)	WoO 22
Ecossaise in G major, WoO 23 (1810)	WoO 23
“Egmont”, incidental music to Goethe’s tragedy, Op. 84 (1809-10)	Op. 84
Eight variations on the song “Ich hab’ein kleines Hüttchen nur” for piano in B-flat major, Anh.10 (c. 1795)	Anh.10
“Elegischer Gesang”, Op. 118 (1814)	Op. 118
Eleven “Mödlinger Tänze” for seven instruments, WoO 17 (1819)	WoO 17
Eleven New Bagatelles for piano, Op. 119 (1820-22)	Op. 119
“Es ist vollbracht” for “Die Ehrenpforten” für Bass solo, chor und orchester, WoO 97 (1815)	WoO 97
Excerpt from the finale of Piano Concerto No. 3 in C minor: piano transcription, Hess 65 (1820)	Hess 65
F. Witt. Symphony in C major, “Jena”: formerly attributed to Beethoven, Anh. 1	Anh. 1
Fantasia for Piano in G minor, Op. 77 (1809)	Op. 77
Fantasia for Piano, Chorus and Orchestra, Op. 80 (1808-09)	Op. 80
“Fidelio” Overture in E major, Op. 72c (1814)	Op. 72c
Finale (bagatelle) in G major, WoO 213/2 (1793)	WoO 213/2
Five Variations for piano on “Rule Britannia” in D major, WoO 79 (1803)	WoO 79
Fragment from Symphony No. 7 (46 bars of the 1st movement) for piano, Hess 96 (1815-16)	Hess 96
Fragment in A major with imitation of the sound of horns, Bia. 268 (c. 1800)	Bia. 268
Fragment in G major for piano (?), Bia. 720 (1819-20)	Bia. 720
Fragments in C major (exercise?), Bia. 70 (c. 1794)	Bia. 70
Fugue for Organ in D major, WoO 31 (1783)	WoO 31
Fugue for Piano in C major, Hess 64 (c. 1794)	Hess 64
Fugue for String Quartet in D major (fragment), Hess 245 (1795)	Hess 245
Fugue for String Quintet in D major, Op. 137 (1817)	Op. 137
Fugue for string quintet in D major, Bia. 678 (1817)	Bia. 678
Fugue in C major, Bia. 345 (1802-03)	Bia. 345
Fugue in C major, Hess 326 (1802)	Hess 326
Fugue in C major for piano (?) “Antique”, Bia. 346 (1802-03)	Bia. 346
Funeral march (Marche lugubre) for piano 4 hands in C minor (detail), Anh. 8/3	Anh. 8/3
G. F. Handel — Beethoven. Fugue from the “Solomon” overture, arranged for string quartet, Hess 36	Hess 36
Gavotte for piano in F major, Anh. 8/1	Anh. 8/1
“Germania” - aria with chorus in B-flat major, WoO 94 (1814)	WoO 94
“Gertruds Traumwalzer”, waltz for piano (apocrypha), Anh.16/2	Anh.16/2
“Gesang der Mönche” from Schiller’s William Tell, for two tenors and bass a cappella, WoO 104 (1817)	WoO 104
“Glück fehl’ dir vor allem”, four-part canon, WoO 171 (1817)	WoO 171
Grand Fugue for String Quartet in B-flat major, Op. 133 (1825-26)	Op. 133
“Gratulationsmenuett” for orchestra E-flat major, WoO 3 (1822)	WoO 3
Grenadier March in F major for mechanical organ, Hess 107	Hess 107
Große Fuge in B-flat major for piano four hands, Op. 134 (1826)	Op. 134
“Hochzeitslied” für Tenor, Chor und Klavier, WoO 105 (1819)	WoO 105
“Hol’ euch der Teufel! B’hüt euch Gott!”, two-part canon, WoO 173 (1819)	WoO 173
“Ich bitt’ dich, schreib’ mir die Es-Skala auf”, three-part canon, WoO 172 (1818)	WoO 172
“Ich denke dein” – song with six variations for piano four hands, WoO 74 (1799-03)	WoO 74
“In questa tomba oscura”, song in A-flat major for voice and piano, WoO 133 (1806-07)	WoO 133
Incidental Music to “Leonore Prohaska”, WoO 96 (1815)	WoO 96
Instrumental sketch, “Beethoven’s last notes”, Bia. 849 (1827)	Bia. 849
Intermezzo to Sonata in C major for piano, Bia. 191 (1798-99)	Bia. 191
Italian Part-Songs : No. 1 “Bei Labbri Che Amore”, WoO 99/1 (Hess 211) (1801-03)	WoO 99/1 (Hess 211)
Italian Part-Songs : No. 2 “Chi mai di questo core”, WoO 99/2 (Hess 214) (1801-03)	WoO 99/2 (Hess 214)
Italian Part-Songs : No. 3a “Fra Tutte Le Pene”, WoO 99/3a (1796-97)	WoO 99/3a
Italian Part-Songs : No. 3b “Fra Tutte Le Pene”, WoO 99/3b (Hess 225) (1801-03)	WoO 99/3b (Hess 225)
Italian Part-Songs : No. 3c “Fra Tutte Le Pene” - 1 version, WoO 99/3c (Hess 224) (1801-03)	WoO 99/3c (Hess 224)
Italian Part-Songs : No. 4a “Gia La Notte Savvicina”, WoO 99/4a (Hess 222) (1801-03)	WoO 99/4a (Hess 222)
Italian Part-Songs : No. 4b “Gia La Notte Savvicina”, WoO 99/4b (Hess 223) (1801-03)	WoO 99/4b (Hess 223)
Italian Part-Songs : No. 5a “Giura Il Nocchier” - 2 version, WoO 99/5a (Hess 221) (1801-03)	WoO 99/5a (Hess 221)
Italian Part-Songs : No. 5b “Giura Il Nocchier” - 2 version, WoO 99/5b (Hess 227) (1801-03)	WoO 99/5b (Hess 227)
Italian Part-Songs : No. 6 “Ma Tu Tremi”, WoO 99/6 (Hess 212) (1801-03)	WoO 99/6 (Hess 212)
Italian Part-Songs : No. 7a “Nei Campi E Nelle Selve” - 1 version, WoO 99/7a (Hess 217) (1801-03)	WoO 99/7a (Hess 217)
Italian Part-Songs : No. 7b “Nei Campi E Nelle Selve” - 2 version, WoO 99/7b (Hess 220) (1801-03)	WoO 99/7b (Hess 220)
Italian Part-Songs : No. 9 “Per Te Damico Aprile”, WoO 99/9 (Hess 216) (1801-03)	WoO 99/9 (Hess 216)
Italian Part-Songs : No. 10a “Quella Cetra Ah Pur Tu Sei” - 1 version, WoO 99/10a (Hess 213) (1801-03)	WoO 99/10a (Hess 213)
Italian Part-Songs : No. 10b “Quella Cetra Ah Pur Tu Sei”, WoO 99/10b (Hess 218) (1801-03)	WoO 99/10b (Hess 218)
Italian Part-Songs : No. 10c “Quella Cetra Ah Pur Tu Sei” - 2 version, WoO 99/10c (Hess 219) (1801-03)	WoO 99/10c (Hess 219)
Italian Part-Songs : No. 11 “Scrivo In Te”, WoO 99/11 (Hess 215) (1801-03)	WoO 99/11 (Hess 215)
J. Mattheson — Beethoven. Two-part canon in G major: study copy, Hess 274 (1803)	Hess 274
J. Mattheson — Beethoven. Two-part canon in G major: study copy, Hess 274 (1803)	Hess 274
J. S. Bach — Beethoven. Fugue in B-flat minor from “The Well-Tempered Clavier”, Book I, BWV 867: arrangement for string quintet, Hess 38 (1801-02)	Hess 38
“König Stephan”, overture and incidental music, Op. 117 (1811)	Op. 117
Landler for Piano in C minor, Hess 68 (1803)	Hess 68
“Leonore”, original version of the opera “Fidelio”, Op. 72 (1804-05)	Op. 72
Lob auf den Dicken: “Schuppanzigh ist ein Lump”, WoO 100, musical joke for 3 solo voices and choir, WoO 100 (1801)	WoO 100
March (for Duport) for piano, Bia. 839 (1825-26)	Bia. 839
March for 2 clarinets, 2 horns and 2 bassoons in B-flat major WoO 29, WoO 29 (1797-98)	WoO 29
March for Military Band “Pferdemusik” in F major, WoO 19 (Hess 8) (1810)	WoO 19 (Hess 8)
March for Military Band “Pferdemusik” in F major, WoO 19 (Hess 9) (1810)	WoO 19 (Hess 9)
March for Military Band “Zapfenstreich” [“The Tattoo”], WoO 20 (1810)	WoO 20
March for Military Band in D major, WoO 24 (1816)	WoO 24
March for piano in B-flat major, Hess 87 (1797-98)	Hess 87
March for piano in F major “Alexander”, Anh.11	Anh.11
March-like piece in C minor: sketch, Hess 330 (Bia. 396) (1803-04)	Hess 330 (Bia. 396)
Mass in C major, Op. 86 (1807)	Op. 86
Mehrstimmige italienische Gesänge : No. 3d “Fra Tutte Le Pene” - 2 version, Hess 210 (1801-03)	Hess 210
Mehrstimmige italienische Gesänge : No. 5c “Giura Il Nocchier” - 1 version, Hess 230 (1792-94)	Hess 230
Mehrstimmige italienische Gesänge : No. 12 “Salvo ti vuoi lo sposo”, Hess 228 (1796-97)	Hess 228
Mehrstimmige italienische Gesänge : No. 13 “Se mio ben”, Hess 231 (c. 1800)	Hess 231
Mehrstimmige italienische Gesänge : No. 14 “E pur fra le tempeste”, Hess 232 (c. 1800)	Hess 232
Melody (for dance?) in A minor for ensemble, Bia. 726 (1820)	Bia. 726
Melody for piano in C minor, Hess 324 (1802)	Hess 324
Minuet and trio for piano in A-flat major, Hess 88 (c. 1794)	Hess 88
Minuet for piano in C major, Bia. 74 (1795)	Bia. 74
Minuet for Piano in F major, WoO 217 (c. 1794)	WoO 217
Minuet for piano in F major, Bia. 66 (c. 1794)	Bia. 66
Minuet for String Quartet in A-flat major, Hess 33 (c. 1794)	Hess 33
Minuet in B-flat major (fragment), Hess 331 (c. 1801)	Hess 331
Minuet in C major, WoO 218 (1795)	WoO 218
Minuet in D minor: sketch, Gardi 10 (1790-92)	Gardi 10
Minuet in E-flat major, WoO 82 (1803)	WoO 82
Minuet-Scherzo for String Quartet in A major, Hess 333 (c. 1801)	Hess 333
Missa Solemnis for 4 Soloists, Choir, Orchestra and Organ in D major, Op. 123 (1819-23)	Op. 123
Molto Adagio in G major (fragment), Hess 71 (c. 1803)	Hess 71
Music for a Ballet of Knights, WoO 1 (1790-91)	WoO 1
Music for the “Knight’s Ballet” for piano, Hess 89 (1791)	Hess 89
Musical joke “Graf, liebster Graf, liebstes Schaf”, WoO 101 (1802)	WoO 101
Musical joke “Holz, Holz geigt die Quartette so” (Holtz, you play quartets as if you are chopping cabbage) for voices, WoO 204 (1825)	WoO 204
Musical joke “Ich bin bereit! Amen” (I’m ready! Amen), WoO 201 (1818)	WoO 201
Musical joke “Ich bin der Herr von zu” for voices, WoO 199 (1814)	WoO 199
Notturno in D major for viola and piano: arrangement of Serenade Op. 8, Op. 42 (1803-04)	Op. 42
“O Hoffnung”, theme for Archduke Rudolph, WoO 200 (Hess 75) (1818)	WoO 200 (Hess 75)
Octet for 2 oboes, 2 clarinets, 2 horns and 2 bassoons in E-flat major, Op. 103 (1792-93)	Op. 103
Opera “Fidelio”, Op. 72 (1814)	Op. 72
Opera “Fidelio”:(arias and fragments), Op. 72 (1814)	Op. 72
“Opferlied”, Op. 121b (1824)	Op. 121b
“Opferlied”, Hess 91 (1824)	Hess 91
“Opferlied”, Op. 121b (1824)	Op. 121b
“Opferlied” for Voice & Piano in E major, WoO 126 (1794-95)	WoO 126
Oratorio “Christus am Ölberge” for 3 soloists, choir and orchestra, Op. 85 (1803-04)	Op. 85
Overture “Coriolan” in C minor, Op. 62 (1807)	Op. 62
Overture “Leonore No. 1” in C major, Op. 138 (1807)	Op. 138
Overture “Leonore No. 2”, Op. 72a (1804-05)	Op. 72a
Overture “Leonore No. 3”, Op. 72b (1806)	Op. 72b
Overture “Name Day” (Zur Namensfeier) in C major, Op. 115 (1814-15)	Op. 115
Overture from the music to A. Kotzebue’s play “King Stephen”, Op. 117/1 (1811)	Op. 117/1
Parts of compositions
Passage in B major for piano (?), Bia. 280 (c. 1800)	Bia. 280
Pastoral for piano in C major, Bia. 622 (1815)	Bia. 622
Pastorella for String Quartet in D major, Hess 332 (c. 1801)	Hess 332
Piano Concerto in D major, Op. 61a (1807)	Op. 61a
Piano Concerto in D major (unfinished, 1780s?), Anh. 7 (1788-93)	Anh. 7
Piano Concerto in E-flat major, WoO 4 (1784)	WoO 4
Piano Concerto No. 1 in C major, Op. 15 (1793-95)	Op. 15
Piano Concerto No. 2 in B-flat major, Op. 19 (1787-89)	Op. 19
Piano Concerto No. 3 in C minor, Op. 37 (1800-03)	Op. 37
Piano Concerto No. 4 in G major, Op. 58 (1804-07)	Op. 58
Piano Concerto No. 4 in G major: chamber version for piano and string quintet, Op. 58 (1807-08)	Op. 58
Piano Concerto No. 5 in E-flat major (“Emperor”), Op. 73 (1808-09)	Op. 73
Piano Concerto No. 6 in D major (fragment, ed. N. Coock, 1987), Hess 15 (1815)	Hess 15
Piano fragment in E-flat major, Bia.271, Bia. 271 (c. 1800)	Bia. 271
Piano piece in A major: manuscript fragment, Kafka f. 160r	Kafka f. 160r
Piano piece in A major: manuscript fragment, Kafka f. 41v	Kafka f. 41v
Piano piece in D major, Hess 325 (1802)	Hess 325
Piano piece in F minor: manuscript fragment, Kullack f. 51/52	Kullack f. 51/52
Piano Quartet in E-flat major: composer’s arrangement of Quintet Op. 16, Op. 16a (1796-97)	Op. 16a
Piano Quartet No. 1 in E-flat major, WoO 36/1 (1785)	WoO 36/1
Piano Quartet No. 2 in D major, WoO 36/2 (1785)	WoO 36/2
Piano Quartet No. 3 in C major, WoO 36/3 (1785)	WoO 36/3
Piano Sonata four hands in D major, Op. 6 (1796-97)	Op. 6
Piano Sonata in D major “Quasi una Fantasia”, Bia. 213	Bia. 213
Piano Sonata in D major (Kurfürstensonate No. 3), WoO 47/3 (1783)	WoO 47/3
Piano Sonata in E-flat major (Kurfürstensonate No. 1), WoO 47/1 (1783)	WoO 47/1
Piano Sonata in F minor (Kurfürstensonate No. 2), WoO 47/2 (1783)	WoO 47/2
Piano Sonata No. 1 in F minor, Op. 2/1 (1793-95)	Op. 2/1
Piano Sonata No. 2 in A major, Op. 2/2 (1794-95)	Op. 2/2
Piano Sonata No. 3 in C major, Op. 2/3 (1794-95)	Op. 2/3
Piano Sonata No. 4 in E-flat major, Op. 7 (1796-97)	Op. 7
Piano Sonata No. 5 in C minor, Op. 10/1 (1795-97)	Op. 10/1
Piano Sonata No. 6 in F major, Op. 10/2 (1796-97)	Op. 10/2
Piano Sonata No. 7 in D major, Op. 10/3 (1797-98)	Op. 10/3
Piano Sonata No. 8 in C minor “Pathétique”, Op. 13 (1797-98)	Op. 13
Piano Sonata No. 9 in E major, Op. 14/1 (1798-99)	Op. 14/1
Piano Sonata No. 10 in G major, Op. 14/2 (1799)	Op. 14/2
Piano Sonata No. 11 in B-flat major, Op. 22 (1800)	Op. 22
Piano Sonata No. 12 in A-flat major, Op. 26 (1800-01)	Op. 26
Piano Sonata No. 13 in E-flat major, Op. 27/1 (1800-01)	Op. 27/1
Piano Sonata No. 14 in C-sharp minor “Moonlight”, Op. 27/2 (1801)	Op. 27/2
Piano Sonata No. 15 in D major, Op. 28 (1801)	Op. 28
Piano Sonata No. 16 in G major, Op. 31/1 (1802)	Op. 31/1
Piano Sonata No. 17 in D minor, Op. 31/2 (1802)	Op. 31/2
Piano Sonata No. 18 in E-flat major, Op. 31/3 (1802)	Op. 31/3
Piano Sonata No. 19 in G minor, Op. 49/1 (1797)	Op. 49/1
Piano Sonata No. 20 in G major, Op. 49/2 (1795-96)	Op. 49/2
Piano Sonata No. 21 in C major, “Waldstein”, Op. 53 (1803-04)	Op. 53
Piano Sonata No. 22 in F major, Op. 54 (1804)	Op. 54
Piano Sonata No. 23 in F minor “Appassionata”, Op. 57 (1804-05)	Op. 57
Piano Sonata No. 24 in F-sharp major, Op. 78 (1809)	Op. 78
Piano Sonata No. 25 in G major, Op. 79 (1809)	Op. 79
Piano Sonata No. 26 in E-flat major “Les Adieux”, Op. 81a (1809-10)	Op. 81a
Piano Sonata No. 27 in E minor, Op. 90 (1814)	Op. 90
Piano Sonata No. 28 in A major, Op. 101 (1816)	Op. 101
Piano Sonata No. 29 in B-flat major “Hammerklavier”, Op. 106 (1816-18)	Op. 106
Piano Sonata No. 30 in E major, Op. 109 (1820)	Op. 109
Piano Sonata No. 31 in A-flat major, Op. 110 (1821-22)	Op. 110
Piano Sonata No. 32 in C minor, Op. 111 (1821-22)	Op. 111
Piano Trio in E-flat major: arrangement of String Quintet Op. 4, Op. 63	Op. 63
Piano Trio in F minor, Bia. 637 (1815)	Bia. 637
Piano Trio No. 1 in E-flat major, Op. 1/1 (1792-93)	Op. 1/1
Piano Trio No. 2 in G major, Op. 1/2 (1792-94)	Op. 1/2
Piano Trio No. 3 in C minor, Op. 1/3 (1792-94)	Op. 1/3
Piano Trio No. 4 in B-flat major, Op. 11 (1797-98)	Op. 11
Piano Trio No. 5 in D major, Op. 70/1 (1808)	Op. 70/1
Piano Trio No. 6 in E-flat major, Op. 70/2 (1808)	Op. 70/2
Piano Trio No. 7 in B-flat major, Op. 97 (1811)	Op. 97
Piano Trio No. 8 in E-flat major, WoO 38 (c. 1791)	WoO 38
Piece for Piano in C major, Hess 59 (1792-93)	Hess 59
Polonaise for military orchestra in D major, WoO 21 (1810)	WoO 21
Polonaise for Piano in C major, Op. 89 (1814)	Op. 89
Prelude and Fugue for string quartet C major, Hess 31 (1794-95)	Hess 31
Prelude and Fugue for string quartet F major, Hess 30 (1794-95)	Hess 30
Prelude and Fugue for String Quintet in D minor, Hess 40 (1817)	Hess 40
Prelude and fugue for two violins and cello E minor, Hess 29 (1794-95)	Hess 29
Prelude for piano F minor, WoO 55 (1803)	WoO 55
Prelude to Act II of “Tarpeja”, WoO 2b (c. 1805)	WoO 2b
Presto for piano in G major, Bia. 277 (c. 1800)	Bia. 277
Quintet for Oboe, 3 Horns and Bassoon in E-flat major, Hess 19 (1793-96)	Hess 19
Quintet for Piano, Oboe, Clarinet, Horn, Bassoon in E-flat major, Op. 16 (1796-97)	Op. 16
Riddle canon “Das Schöne zu dem Guten” (first version), WoO 202 (1823)	WoO 202
Riddle canon “Das Schöne zu dem Guten” (second version), WoO 203 (1825)	WoO 203
Romance Cantabile for piano, flute, bassoon accompanied by two oboes and strings in E minor, Hess 13 (1792-93)	Hess 13
Romance for Violin and Orchestra No. 1 in G major, Op. 40 (1800-02)	Op. 40
Romance for Violin and Orchestra No. 2 in F major, Op. 50 (1798)	Op. 50
Rondino for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat major, WoO 25 (1792-93)	WoO 25
Rondo a capriccioso “Die Wut Über Den Verlorenen Groschen”, Op. 129 (1795)	Op. 129
Rondo for Piano and Orchestra in B-flat major, WoO 6 (1793)	WoO 6
Rondo for Piano in A major, WoO 49 (1783)	WoO 49
Rondo for Piano in B-dur, Anh. 6 (1795-96)	Anh. 6
Rondo for Piano in C major, WoO 48 (1783)	WoO 48
Rondo for Violin and Piano in G major, WoO 41 (1793-94)	WoO 41
Rondo in A major, WoO 213/4 (1793)	WoO 213/4
“Sankt Petrus war ein Fels / Bernardus war ein Sankt”, four-part canon, WoO 175 (1820)	WoO 175
Scene and Aria “No, non turbati” for Soprano and Strings, WoO 92a (1802)	WoO 92a
Scene and aria “Primo Amore” for soprano and orchestra A major, WoO 92 (1791-92)	WoO 92
Scherzo for pianoforte, arrangement of the 3rd movement from op.1/2, Hess 98 (1798-99)	Hess 98
Secondo Trio, Hess 28 (1798-00)	Hess 28
Septet for Clarinet, Horn, Bassoon, Violin, Viola, Cello and Double Bass in E-flat major, Op. 20 (1799)	Op. 20
Serenade for Flute, Violin and Viola in D major, Op. 25 (1801)	Op. 25
Serenade for String Trio in D major, Op. 8 (1796-97)	Op. 8
Serenade in D major for flute and piano: arrangement of Op. 25, Op. 41 (1803)	Op. 41
Seven British folksongs: No. 1 “Adieu, my lov’d harp”, WoO 158b/1 (c. 1813)	WoO 158b/1
Seven British folksongs: No. 2 “Castle O’Neill”, WoO 158b/2 (c. 1813)	WoO 158b/2
Seven British folksongs: No. 3 “O was not I a wight (Oh ono chri!)”, WoO 158b/3 (c. 1817)	WoO 158b/3
Seven British folksongs: No. 4 “Red gleams the sun on yon hill tap”, WoO 158b/4 (c. 1817)	WoO 158b/4
Seven British folksongs: No. 5 “Erin! O Erin”, WoO 158b/5 (c. 1815)	WoO 158b/5
Seven British folksongs: No. 6 “O Mary, ye’s be clad in silk”, WoO 158b/6 (c. 1815)	WoO 158b/6
Seven British folksongs: No. 7 “Lament for Owen Roe O’Neill”, WoO 158b/7 (c. 1810)	WoO 158b/7
Seven Ländler for two violins and cello, WoO 11 (1799)	WoO 11
Sextet for Two Clarinets, Two Horns and Two Bassoons in E-flat major, Op. 71 (1792-96)	Op. 71
Sextet for two Horns and String Quartet in E-flat major, Op. 81b (1795)	Op. 81b
Six Écossaises for Piano in E-flat major, WoO 83 (1806)	WoO 83
Six Ländler for two violins and cello (also arranged for piano), WoO 15 (1802)	WoO 15
Six Minuets for Orchestra, WoO 10 (1795)	WoO 10
Six Songs for voice and piano, Op. 75 (1809)	Op. 75
Six Songs on poems by Christian Fürchtegott Gellert for voice and piano, Op. 48 (1801-02)	Op. 48
Six Variations on a Swiss song for piano or harp in F major, WoO 64 (1790-92)	WoO 64
Sketch for a sonata in A minor for piano, Bia. 318 (1802)	Bia. 318
Sketch for a sonata in E-flat major for piano, Bia. 98 (1795)	Bia. 98
Sketch for piano in A major, Hess 60 (c. 1800)	Hess 60
Sketch for piano in E-flat major, Bia. 317 (1802)	Bia. 317
Sketch for piano in F major, Bia. 273 (c. 1800)	Bia. 273
Sketch for pianoforte, Bia. 738 (1822)	Bia. 738
Sketch for the “second” sonata (adagio) for piano, Bia. 758 (1819-22)	Bia. 758
Sketch for the second movement for the piano trio in E-flat major Hess 48, Bia. 8 (1783)	Bia. 8
Sketches (unused) for the finale of the “Heroic Variations” for piano, Bia. 319 (1802)	Bia. 319
Sketches for Allegretto (8) for Piano, Bia. 99 (1795)	Bia. 99
Solo passage for the Rondo of the piano version of the Violin Concerto, Op. 61, Hess 84 (c. 1809)	Hess 84
Sonata for Flute and Piano in B-flat major, Anh. 4 (1790-92)	Anh. 4
Sonata for Horn and Piano in F major, Op. 17 (1800)	Op. 17
Sonata for violin and piano in A minor (detail), Hess 46 (1783)	Hess 46
Sonatina for Mandolin and Piano in C major, WoO 44a (1796)	WoO 44a
Sonatina for Mandoline and Piano in C minor, WoO 43a (1796)	WoO 43a
Sonatina for Piano in C major (fragment), WoO 51 (1796-98)	WoO 51
Sonatina for Piano in F major, Anh. 5/2 (1790-92)	Anh. 5/2
Sonatina for Piano in G major, Anh. 5/1 (1790-92)	Anh. 5/1
Sonatina in F major for piano: unfinished, WoO 50 (1790-92)	WoO 50
Song “Abendlied unter dem gestirnten Himmel”, WoO 150 (1820)	WoO 150
Song “Abschiedsgesang an Wiens Bürger” in G major, WoO 121 (1796)	WoO 121
Song “Abschiedsgesang” für drei Männerstimmen in B-flat major, WoO 102 (1814)	WoO 102
Song “Adelaide” for voice and piano, Op. 46 (1794-95)	Op. 46
Song “Als die Geliebte sich trennen wollte”, WoO 132 (1806)	WoO 132
Song “An die Geliebte”, WoO 140 (1811)	WoO 140
Song “An die Hoffnung” for voice and piano, Op. 32 (1804-05)	Op. 32
Song “An die Hoffnung” for voice and piano, Op. 94 (1813-15)	Op. 94
Song “An einen Säugling” in A major, WoO 108 (1783)	WoO 108
Song “An Laura”, WoO 112 (1792)	WoO 112
Song “An Minna”, WoO 115 (1792)	WoO 115
Song “Andenken” for Voice and Piano, WoO 136 (1808)	WoO 136
Song “Bundeslied” for Soprano, Contralto, 3-voiced Choir and Winds, Op. 122 (1822-24)	Op. 122
Song “Das Glück der Freundschaft” for voice and piano, Op. 88 (1803)	Op. 88
Song “Der Bardengeist”, WoO 142 (1813)	WoO 142
Song “Der edle Mensch sei hilfreich und gut”, WoO 151 (1823)	WoO 151
Song “Der freie Mann” in C major, WoO 117 (1792-94)	WoO 117
Song “Der freie Mann” in C major (1st version), Hess 146 (1792-94)	Hess 146
Song “Der Gesang der Nachtigall” in C major, WoO 141 (1813)	WoO 141
Song “Der Jungling in der Fremde”, WoO 138 (1809)	WoO 138
Song “Der Liebende”, WoO 139 (1809)	WoO 139
Song “Der Mann von Wort” for voice and piano, Op. 99 (1816)	Op. 99
Song “Der Wachtelschlag” for voice and piano, WoO 129 (1803)	WoO 129
Song “Des Kriegers Abschied” for voice & piano in E-flat major, WoO 143 (1814)	WoO 143
Song “Die laute Klage”, WoO 135 (1814-15)	WoO 135
Song “Elegie auf den Tod eines Pudels” for Voice & Piano in F minor, WoO 110 (1790)	WoO 110
Song “Erlkönig” (Forest King) for voice and piano (sketch), WoO 131 (1794-96)	WoO 131
Song “Gedenke mein!”, WoO 130 (1820)	WoO 130
Song “Ich wiege dich in meinem Arm” for voice and piano (fragment), Hess 137 (1815-17)	Hess 137
Song “Klage”, WoO 113 (1790)	WoO 113
Song “Kriegslied der Österreicher” in C major, WoO 122 (1797)	WoO 122
Song “La partenza”/“Der Abschied” for voice and piano in A major, WoO 124 (1795)	WoO 124
Song “La Tiranna”(canzonetta), WoO 125 (1798-99)	WoO 125
Song “Lied aus der Ferne”, WoO 137 (1809)	WoO 137
Song “Man strebt, die Flamme zu verhehlen” in F major, WoO 120 (1800-02)	WoO 120
Song “Meine Mutter fragt mich immer” (My mother always asks me) for voice and piano (sketch), Bia. 43 (1792)	Bia. 43
Song “Merkenstein” for soprano, mezzo-soprano and piano, Op. 100 (1815)	Op. 100
Song “Merkenstein” for voice & piano in E-flat major, WoO 144 (1814)	WoO 144
Song “Neue Liebe, neues Leben”, WoO 127 (1798-99)	WoO 127
Song “O care selve” in G major, WoO 119 (1794-95)	WoO 119
Song “Plaisir d’aimer” for Voice & Piano in G major, WoO 128 (1798-99)	WoO 128
Song “Punschlied”, WoO 111 (1791-92)	WoO 111
Song “Que le temps me dure”, 1 version (Hess 129), WoO 116a (1793)	WoO 116a
Song “Que le temps me dure”, 2 version (Hess 130), WoO 116b (1793)	WoO 116b
Song “Resignation”, WoO 149 (1817)	WoO 149
Song “Ruf vom Berge” for voice & piano, WoO 147 (1816)	WoO 147
Song “Schilderung eines Madchens”, WoO 107 (1782)	WoO 107
Song “Sehnsucht”, WoO 146 (1816)	WoO 146
Song “Sehnsucht” (in 4 versions), WoO 134 (1807-08)	WoO 134
Song “Selbstgespraech”, WoO 114 (1793)	WoO 114
Song “Seufzer eines Ungeliebten und Gegenliebe” for voice & piano in E-flat major, WoO 118 (1794-95)	WoO 118
Song “So oder so” for voice & piano in F major, WoO 148 (1817)	WoO 148
Song “Traute Henriette”, Hess 151 (1792-93)	Hess 151
Song “Trinklied”, WoO 109 (1791-92)	WoO 109
Song `Das Geheimnis` (“Liebe und Wahrheit”) in G-dur for Voice and Piano, WoO 145 (1815)	WoO 145
Song cycle “An die ferne Geliebte”, Op. 98 (1816)	Op. 98
String Quartet in F major: composer’s arrangement of Piano Sonata Op. 14 No. 1, Hess 34 (1801-02)	Hess 34
String Quartet No. 1 in F major, Op. 18/1 (1798-00)	Op. 18/1
String Quartet No. 1 in F major (first version), Hess 32 (1798-99)	Hess 32
String Quartet No. 2 in G major, Op. 18/2 (1798-00)	Op. 18/2
String Quartet No. 3 in D major, Op. 18/3 (1798-00)	Op. 18/3
String Quartet No. 4 in C minor, Op. 18/4 (1798-00)	Op. 18/4
String Quartet No. 5 in A major, Op. 18/5 (1798-00)	Op. 18/5
String Quartet No. 6 in B-flat major, Op. 18/6 (1798-00)	Op. 18/6
String Quartet No. 7 in F major, Op. 59/1 (1806)	Op. 59/1
String Quartet No. 8 in E minor, Op. 59/2 (1806)	Op. 59/2
String Quartet No. 9 in C major, Op. 59/3 (1806)	Op. 59/3
String Quartet No. 10 in E-flat major, Op. 74 (1809)	Op. 74
String Quartet No. 11 in F minor “Quartetto serioso”, Op. 95 (1810-11)	Op. 95
String Quartet No. 12 in E-flat major, Op. 127 (1822-25)	Op. 127
String Quartet No. 13 in B-flat major, Op. 130 (1825)	Op. 130
String Quartet No. 14 in C-sharp minor, Op. 131 (1825-26)	Op. 131
String Quartet No. 15 in A minor, Op. 132 (1823-25)	Op. 132
String Quartet No. 16 in F major, Op. 135 (1826)	Op. 135
String Quintet in C Major ( fragment ), Hess 41 (1826)	Hess 41
String Quintet No. 1 in E-flat major, Op. 4 (1795)	Op. 4
String Quintet No. 2 in C major, Op. 29 (1801)	Op. 29
String Quintet No. 3 in C minor, Op. 104 (1817)	Op. 104
String Trio in E-flat major, Op. 3 (1794)	Op. 3
String Trio No. 1 in G major, Op. 9/1 (1797-98)	Op. 9/1
String Trio No. 2 in D major, Op. 9/2 (1797-98)	Op. 9/2
String Trio No. 3 in C minor, Op. 9/3 (1797-98)	Op. 9/3
Study for piano in B-flat major, Hess 58 (1792-93)	Hess 58
Symphony in C minor (sketches), Hess 298 (1785)	Hess 298
Symphony in E-flat major (No. 10) (unfinished, reconstruction Barry Cooper on drafts), Bia. 838 (Unv. 3) (1822-25)	Bia. 838 (Unv. 3)
Symphony No. 1 in C major, Op. 21 (1799-00)	Op. 21
Symphony No. 2 in D major, Op. 36 (1801-02)	Op. 36
Symphony No. 2 in D major: arrangement for piano trio, Op. 36 (c. 1805)	Op. 36
Symphony No. 3 in E-flat major “Eroica”, Op. 55 (1803)	Op. 55
Symphony No. 4 in B-flat major, Op. 60 (1806)	Op. 60
Symphony No. 5 in C minor, Op. 67 (1804-08)	Op. 67
Symphony No. 6 in F major “Pastorale”, Op. 68 (1807-08)	Op. 68
Symphony No. 7 in A major, Op. 92 (1811-12)	Op. 92
Symphony No. 8 in F major, Op. 93 (1812)	Op. 93
Symphony No. 9 in D minor for Soloists, Choir and Orchestra “Ode an die Freude”, Op. 125 (1822-24)	Op. 125
“Te solo adoro”, sketch of a two-part canon in E-flat major, Hess 263 (c. 1824)	Hess 263
“Te solo adoro”, sketch of a two-part canon in E-flat major, Hess 264 (c. 1824)	Hess 264
Terzetto “Tremate, empi, tremate” for soprano, tenor, bass and orchestra B-flat major, Op. 116 (1802)	Op. 116
“The Consecration of the House” Overture in C major, Op. 124 (1822)	Op. 124
“The Consecration of the House”, music for the theatre opening, Hess 118 (1822)	Hess 118
Three Canons: 3 “Tugend ist kein leerer Name”, WoO 181/3 (1820)	WoO 181/3
Three Canons: No. 1 à 4 “Gedenket heute an Baden”, WoO 181/1 (1822)	WoO 181/1
Three Canons: No. 2 à 4 “Gehabt euch wohl”, WoO 181/2 (1820)	WoO 181/2
Three Marches for Piano, 4 hands, Op. 45 (1803)	Op. 45
Three Songs on poems by Goethe for voice and piano, Op. 83 (1810)	Op. 83
Trio for 2 Oboes and English Horn in C major, Op. 87 (1794-95)	Op. 87
Trio for Clarinet (Violin), Cello & Piano in E-flat major, Op. 38 (1802-03)	Op. 38
Trio for Piano, Flute and Bassoon in G major, WoO 37 (1786-90)	WoO 37
Trio for three flutes in G major, Bia. app.II 64	Bia. app.II 64
Triumphal March for orchestra for Christoph Kuffner’s tragedy “Tarpeja”, WoO 2a (1813)	WoO 2a
Twelve piano miniatures from the sketchbooks
Two cadenzas to Mozart’s Piano Concerto No. 20 in D minor, K. 466, WoO 58 (1809)	WoO 58
Two Canons à 3: No. 1 “Das Schweigen”, WoO 168/1 (1816)	WoO 168/1
Two Canons à 3: No. 2 “Das Reden”, WoO 168/2 (1816)	WoO 168/2
Two Instrumental Canons: No. 1 a 3, WoO 160/1 (1795)	WoO 160/1
Two Instrumental Canons: No. 2 à 4, WoO 160/2 (1795)	WoO 160/2
Two Preludes through all twelve major keys for piano or organ, Op. 39 (1789)	Op. 39
Two-part instrumental canon in A-flat major, WoO 222 (Hess 275/328) (1803)	WoO 222 (Hess 275/328)
“Un lieto brindisi” - Cantata Campestre for Four Voices and Piano, WoO 103 (1814)	WoO 103
Variations for Piano in A major, Hess 72 (c. 1803)	Hess 72
Variations for two oboes and cor anglais on “Là ci darem la mano” from the opera “Don Giovanni” by Mozart in C major, WoO 28 (1795)	WoO 28
“Vestas Feuer” (opera fragment), Hess 115 (1803)	Hess 115
Violin Concerto in C major (fragment), WoO 5 (1790-92)	WoO 5
Violin Concerto in D major, Op. 61 (1806)	Op. 61
Violin Sonata No. 1 in D major, Op. 12/1 (1797-98)	Op. 12/1
Violin Sonata No. 2 in A major, Op. 12/2 (1797-98)	Op. 12/2
Violin Sonata No. 3 in E-flat major, Op. 12/3 (1797-98)	Op. 12/3
Violin Sonata No. 4 in A minor, Op. 23 (1800-01)	Op. 23
Violin Sonata No. 5 in F major, “Spring”, Op. 24 (1800-01)	Op. 24
Violin Sonata No. 6 in A major, Op. 30/1 (1801-02)	Op. 30/1
Violin Sonata No. 7 in C minor, Op. 30/2 (1801-02)	Op. 30/2
Violin Sonata No. 8 in G major, Op. 30/3 (1801-02)	Op. 30/3
Violin Sonata No. 9 in A major “Kreutzer”, Op. 47 (1802-03)	Op. 47
Violin Sonata No. 10 in G major, Op. 96 (1812)	Op. 96
Waltz “Adieu”, or “Glaube, Liebe, und Hoffnung” for Piano in F major (apocrypha), Anh.15	Anh.15
Waltz for Piano in D major, WoO 85 (1825)	WoO 85
Waltz for Piano in E-flat major, WoO 84 (1824)	WoO 84
“Wellington’s Victory, or the Battle of Vitoria”, for orchestra, Op. 91 (1813)	Op. 91
“Wellington’s Victory”, arrangement for two pianos, Hess 97 (1814)	Hess 97
Yorckscher Marsch for Wind Orchestra in F major, WoO 18 (Hess 7) (1809-10)	WoO 18 (Hess 7)
Yorckscher Marsch for Wind Orchestra in F major, WoO 18 (1809-10)	WoO 18
Yorckscher Marsch for Wind Orchestra in F major, WoO 18 (Hess99) (1809-10)	WoO 18 (Hess99)
Zärtliche Liebe (“Ich liebe dich”), song for voice and piano, WoO 123 (1795)	WoO 123