Concerto for Clarinet, String Orchestra, Harp and Piano
Benny Goodman (clarinet), Arthuro Toscanini (conductor), NBC Symphony Orchestra 
Recorded: February 6, 1951, New York.Read moreCollapseRecorded: February 6, 1951, New York.
1 Freely poetic, 2 Soft and languid, 3 Muted and sensuous, 4 With bounceRead moreCollapse1 Freely poetic, 2 Soft and languid, 3 Muted and sensuous, 4 With bounce
Rarely heard `original` version of this ballet score, as prepared by Copland for the first production.Read moreCollapseRarely heard `original` version of this ballet score, as prepared by Copland for the first production.
Recorded: January 16-17, 1968, New York.Read moreCollapseRecorded: January 16-17, 1968, New York.
SCOTT MOORE, trumpet. Nashville Chamber Orchestra, cond. PAUL GAMBILL. 2001Read moreCollapseSCOTT MOORE, trumpet. Nashville Chamber Orchestra, cond. PAUL GAMBILL. 2001
Orquestra Filarmonica De La Ciudad de México.Read moreCollapseOrquestra Filarmonica De La Ciudad de México.
Old American Songs (selections). New York, Avery Fisher Hall, 31 December 2009.Read moreCollapseOld American Songs (selections). New York, Avery Fisher Hall, 31 December 2009.
The FULL and COMPLETE score of Copland`s Ballet. usually we only get the suite consisting of four parts, but the full score has a fifth! (On this site only the Hoe-Down is available so far). who has been an advocate of the complete Copland works for some time now. The 4 movements: Buckaroo Holiday; Corral Nocture; Piano Interlude (usually omitted); Saturday Night Waltz; Hoe-DownRead moreCollapseThe FULL and COMPLETE score of Copland`s Ballet. usually we only get the suite consisting of four parts, but the full score has a fifth! (On this site only the Hoe-Down is available so far). who has been an advocate of the complete Copland works for some time now. The 4 movements: Buckaroo Holiday; Corral Nocture; Piano Interlude (usually omitted); Saturday Night Waltz; Hoe-Down
Music For The Theatre, suite for small orchestra
Leonard Bernstein (conductor), New York Philharmonic 
Recorded on December 15, 1958, New York.Read moreCollapseRecorded on December 15, 1958, New York.
Recorded: November 9-10, 1970, London.Read moreCollapseRecorded: November 9-10, 1970, London.
Two parts from ballet `Rodeo` for 2 pianosRead moreCollapseTwo parts from ballet `Rodeo` for 2 pianos
Recorded on November 5, 1965, London.Read moreCollapseRecorded on November 5, 1965, London.
8 Poems of Emily Dickinson: 1. There came a wind like a bugle
Helene Schneiderman (mezzo-soprano), Dennis Russel Davies (conductor) 
Sextet for Clarinet, Piano & String Quartet (arr. of Symphony No. 2)
David Oppenheim (clarinet), Leonid Hambro (piano), Robert Mann (violin), Robert Koff (violin), Raphael Hillyer (viola), Arthur Winograd (cello), Juilliard String Quartet 
Recorded: July 30 & August 1, 1951, New York.Read moreCollapseRecorded: July 30 & August 1, 1951, New York.
8 poems of Emily Dickinson
Dawn Upshaw (soprano), Hugh Wolff (conductor), Saint Paul Chamber Orchestra 
1. Nature, The Gentlest Mother 2. There Came A Wind Like A Bugle 3. The World Feels Dusty 4. Heart, We Will Forget Him! 5. Dear March, Come In! 6. Sleep Is Suppossed To Be 7. Going To Heaven 8. The Chariot. conducted by Hugh Wolff.Read moreCollapse1. Nature, The Gentlest Mother 2. There Came A Wind Like A Bugle 3. The World Feels Dusty 4. Heart, We Will Forget Him! 5. Dear March, Come In! 6. Sleep Is Suppossed To Be 7. Going To Heaven 8. The Chariot. conducted by Hugh Wolff.
The original version of the Dickinson poems was written as a cycle of 12 for voice and piano. 1. Nature.... 2. There Came a Wind.... 3. Why Do They Shut Me Out Of Heaven? 4. The World Feels Dusty 5. Heart...... 6. Dear March...... 7. Sleep is Suppossed.... 8. When They Come Back 9. I Felt A Funeral In My Brain 10. I`ve Heard An Organ Talk Sometime 11. Going to Heaven 12. The Chariot (some titles abriged)Read moreCollapseThe original version of the Dickinson poems was written as a cycle of 12 for voice and piano. 1. Nature.... 2. There Came a Wind.... 3. Why Do They Shut Me Out Of Heaven? 4. The World Feels Dusty 5. Heart...... 6. Dear March...... 7. Sleep is Suppossed.... 8. When They Come Back 9. I Felt A Funeral In My Brain 10. I`ve Heard An Organ Talk Sometime 11. Going to Heaven 12. The Chariot (some titles abriged)
The FULL and COMPLETE score for Copland`s Ballet - usually we only hear a 22` abridged suite. (who has been restoring Copland`s full-length works for some time now) conductsRead moreCollapseThe FULL and COMPLETE score for Copland`s Ballet - usually we only hear a 22` abridged suite. (who has been restoring Copland`s full-length works for some time now) conducts
ROBERT SHANNON, piano. Released in 1981.Read moreCollapseROBERT SHANNON, piano. Released in 1981.
`The Red Pony Suite` is extracted from the 1949 film. In 6 parts: 1. Morning on The Ranch: 2. The Gift: 3. Dream March/Circus March: 4. Walk To The Bunkhouse: 5. Grandfather`s Story: 6. Happy Ending. Orquestra Filarmonica De La Ciudad de MéxicoRead moreCollapse`The Red Pony Suite` is extracted from the 1949 film. In 6 parts: 1. Morning on The Ranch: 2. The Gift: 3. Dream March/Circus March: 4. Walk To The Bunkhouse: 5. Grandfather`s Story: 6. Happy Ending. Orquestra Filarmonica De La Ciudad de México
1.Andante Simple And Direct 2.Moderato Diane Walsh (pf).Read moreCollapse1.Andante Simple And Direct 2.Moderato Diane Walsh (pf).
Henry Fonda - narrator. Recorded: October 1968; narration was recorded in New York, June 7, 1971.Read moreCollapseHenry Fonda - narrator. Recorded: October 1968; narration was recorded in New York, June 7, 1971.
CORYDON SINGERS with. Recorded in the Church of St Jude-on-the-Hill, Hampstead, London (England), May 16, 17 and 20, 1986.Read moreCollapseCORYDON SINGERS with. Recorded in the Church of St Jude-on-the-Hill, Hampstead, London (England), May 16, 17 and 20, 1986.
Seattle Symphony Chorale and Orchestra, conducted by Gerard Scwarz.Read moreCollapseSeattle Symphony Chorale and Orchestra, conducted by Gerard Scwarz.
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