Teresa Stich-Randall (soprano)
Ivan Susanin - Boris Christoff, Antonida - Teresa Stich-Randall, Bogdan Sobinin - Nicolai Gedda, Vanya - Mela Bugarinovitch, Polish voivode - Djurdje Djurdjevic, Russian Warrior - Djurdje Djurdjevic, Belgrade Opera Choir, Orchestra of the Society Lamoureux Concerts - Igor Markevich
Orfeo – Maureen Forrester, Euridice – Teresa Stich-Randall, Amore – Hanny Steffek. Choir and Orchestra of the Vienna State Opera – Charles Mackerras. 1966
Anton Heiller - Organ, Teresa Stich-Randall - Soprano, Hilde Rössl-Majdan - Alto, Uno Ebrelius - Tenor, Waldemar Kmentt - Tenor, Hans Braun - Bass, Friedl Kummer - Bass, Walter Berry - Bass. Vienna Chamber Choir, Shottenstrift Boys Choir. Recorded in 1959.
Alexander Young - tenor, John Boyden - bass. Wiener Akademie Kammerchor. Recorded: June 1964, Mozartsaal, Vienna, Austria.
Orchestre de Chambre de La Sarre. March 3-10, 1963, Germany.
Boheme: Si, mi chiamano Mimi - Teresa Stich-Randall, Wien 1956
Alto - Dagmar Hermann, Hans Braun - bass. Choir & Orchestra of the Bach Guild. Recorded: May 1954, Vienna.
Kurt Bohme. Recorded: November 1956, Vienna.
Lore Fischer - contralto, Ferdinand Koch - tenor, Rudolf Watzke - baritone. Recorded: October 10, 1955, Cologne.
Teresa Stich-Randall Erich Wenk Helmut Kretschmar NDR Chor Nord-Deutsches Symphonie Orchester Hamburg con. Walter GOEHR recording 1955-1958
Recorded May 18, 1955, Vienna
Dagmar Hermann - contralto, Hans Braun - bass. Anton Heiller - organ. Choir & Orchestra of the Bach Guild. Recorded: May 1954, Vienna.
Teresa Stich-Randall (S) / Mona Paulee (A) / Rudolf Schock (T) / Gottlob Frick (B) / Chor vom Konservatorium Wien / Wiener StaatsOpernnorchester / Jonathan Sternberg / 1953
June 13, 1963 (live). Milan, La Scala. A hole. Nino Sanzono.
2 arias, recitative and duet from `Abduction from the Seraglio`.
Orchestre de Chambre de la Sarre. 1962.
Aria `Se il padre perdei` from the 2nd act of `Idomeneo` Orchestra du Thé
Jacqueline Bonneau - piano. 1960.
July 23, 1963 (live). Festival in Aix. Elizabeth Brasseur Choir. Orchestra of the Concert Association of Columns. Dir. Peter Maag. Ronald Down (Idomenei), William McAlpin (Idamant), Teresa Stitch-Randall (Ilia), Henrietta Tarres (Elektra, Giorgio Taddeo (Arbac), Jacques Vijisek (priest of Neptune), Antoine Selva (voice).
Contralto - Bianca-Maria Casoni, tenor - Pietro Bottazzo, bass - Georg Littasy. Chorus of the Sarrebruck Conservatory. Recorded: March 3, 1963, Saarlouis, Saarland, Germany.
Jacqueline Bonneau - piano. 1960.
Contralto - Nathalie Narischkine, tenor - Helmut Loeffler (actually Waldemar Kmentt), bass - Paul Schöffler. Vienna Conservatory Chorus. Recorded: October 8-9, 1954, Stuttgart.
Recorded in 1960. Rienzi - Set Svanholm, Irene - Anne Lund Christiansen, Steffano Colonna - Paul Schöffler, Adriano Colonna - Christa Ludwig, Peace Herald - Teresa Stich-Randall, Paolo Orsini - Walter Berry, Raimondo - Heinz Holecek, Baroncelli - Karl Terkal, Cecco del Vecchio - Alois Pernerstorfer.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Orchestra of the Bach Guild. Hans Reznicek - flute. Recorded in 1952, Vienna.
Jacqueline Bonneau - piano. 1960.
Jacqueline Bonneau - piano. 1960.
Mezzo-soprano - Nedda Casei, bass - Ernst Schramm. 1965, Vienna.
Hans Rosbaud - piano. Recorded: July 31, 1956, Aix-en-Provence, France.
Helmut Wobisch - trumpet. Ernst Reichert - harpsichord. Camerata Academica des Salzburger Mozarteums. Recorded: August 27, 1952, Salzburg.