,  (Gueden)
Hilde Gueden (soprano)





7 Agosto. 1953, Festspielhaus, Salzburg(at Salzburg Festival)
 Paul Schöffler(Il Conte di Almaviva), Elisabeth Schwarzkopf(La Contessa di Almaviva), Erich Kunz(Figaro),Irmgard Seefried(Susanna), Hilde Güden(Cherubino), Endre Koréh(Bartolo), Sieglinde Wagner(Marcellina), Peter Klein(Don Basilio), Erich Majkut(Don Curzio), Alois Pernestorfer(Antonio), Liselotte Maikl(Barbarina).
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Fedora Barbieri (mezzo soprano), Hilde Güden (soprano), Magda Gabory (soprano). Orchestra & Chorus of La Scala Theater, conductor: Wilhelm Furtwängler. Recorded in 1951, Teatro alla Scala, Milan (Live)
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Carmen – Fedora Barbieri; Don José – Mario Del Monaco; Micaëla – Hilde Güden (Gueden); Escamillo – Frank Guarrera; Frasquita – Lucine Amara; Mercédès – Margaret Roggero; Le Dancaïre – George Cehanovsky; Le Remendado – Alessio De Paolis; Moralès – Clifford Harvuot; Zuninga – Osie Hawkins. Chorus & Orchestra Metropolitan Opera – Fritz Reiner. Recording of a performance at the MET, 31 January 1953.
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Don Giovanni - Cesare Siepi, Donna Anna - Suzanne Danco, Don Ottavio - Anton Dermota, Il Commendatore - Kurt Böhme, Donna Elvira - Lisa Della Casa, Leporello - Fernando Corena, Masetto - Walter Berry, Zerlina - Hilde Güden. Recorded: June 1955, Vienna.
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1949. Marschallin - Maria Reining, Octavian - Jarmila Novotna, Sophie - Hilde Gueden, Ochs - Jaro Prohaska, Faninal - Georg Hann, Valzacchi - Peter Klein, Annina - Dagmar Hermann, Ein Saenger - Helge Roswaenge, Marianne - Stefanie Holeschovsky, Polizeikommissar - Georg Monthy, Der Wirt - William Wernigk, Ein Notar - Alfred Muzzarelli, Der Haushofmeister bei der Feldmarschallin - Georg Monthy, Der Haufhofmeister bei Faninal - William Wernigk.
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Recorded: August 1954, Salzburg. Primadonna/Ariadne-Lisa Della Casa, Zerbinetta-Hilde Guden, Composer-Irmgard Seefried, Tenor/Bacchus-Rudolf Schock, Music Master-Paul Schoffler, Harlekin-Alfred Poell, Brighella-Murray Dickie, Scaramuccio-Alfred Jaresch, Truffaldin-Oskar Cerwenka, Dancing Master-Peter Klein, Naiad-Rita Streich, Dryad-Hilde Rossel-Majdan, Echo-Lisa Otto, Major-Domo-Alfred Neugebauer, Wigmaker-Walter Berry, Lackey-Franz Bierbach, Officer - Georges Muller.
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Norman Scott - Trulove, Hilde Gueden - Anne, Eugene Conley - Tom Rakewell, Mack Harrell - Nick Shadow, Martha Lipton - Mother Goose, Blanche Thebom, Baba the Turk, Paul Franke - Sellem, Lawrence Davidson - Keeper of the madhouse. Chorus & Orchestra of the Metropolitan Opera Association. Kurt Adler - chorus master. Recording - March 1, 8, 10, 1953, New York.
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Opera la Boheme: `Si, mi chiamanto Mimi` - 5:47, `Donde lieta usci` - 3:00, `Sono andati?` - 6:02, `Che avvien?` - 5:28. Fernando Corena, Giovanni Inghilleri, Raffaelle Arie. Recording - July 19-22, 1951, Rome.
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1955 - with Kurt Bohme, Wilma Lipp, Emmy Loose, August Jaresch, Judith Hellwig, Christa Ludwig, Hilde Rossl Maiden, Paul Schoffler - Vieena State Opera Chorus
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Op. 19, ¹ 4 (Wie sollten wir geheim sie halten). 1956.
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1957. Arabella - Lisa Della Casa, Zdenka - Hilde Güden (Gueden), Mandryka - George London, Waldner - Otto Edelmann, Adelaide - Ira Malaniuk, Fiakermilli - Mimi Coertse, Matteo - Anton Dermota, Elemer - Waldemar Kmentt, Dominik - Eberhard Wächter (Waechter), Lamoral - Harald Pröglhoff, Kartenaufschlägerin - Judith Hellwig, Welko - Wilhelm Lenninger.
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`Nicht an mich, Geliebter, denke`; Duet `Du suessester Engel`. Fritz Wunderlich - Henry, Hilde Gueden - Aminta, Pierrette Alarie - Isotta, Hetty Pluemacher - Carlotta, Karl Doench - Vanuzzi, Josef Knapp - Morbio, Alois Pernerstorfer - Farfallo. Recorded: August 6, 1959, Salzburg (live).
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1965 - Extended excerpts - Regine Crespin (Marschallin), Elisabeth Soderstrom (Octavian), Hilde Guden (Sophie), Heinz Holecek (Faninal)
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2-9 September 1950, 11-22 September 1951 - Paul Schoffler (Sachs), Gunther Treptow (Walther), Hilde Guden (Eva), Otto Edelmann (Pogner), Karl Donch (Beckmesser), Anton Dermota (David), Alfred Poell (Kothner), Else Schurhoff (Magdalene) - Vienna State Opera Chorus
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