1977. Ambrosian singers. The George Watson`s College Boys Choir.
Teresa Berganza (Carmen), Placido Domingo (Jose), Cheryl Milnes (Escamillo), Ilana Kotrubash (Michaela), Yvonne Kenny (Frasquita), Alicia Nathe (Mercedes), Robert Lloyd (Zuniga), Gordon Sandison (Dankair), Joffrey Pogson, Jean Lan (Andres), Shirley Minty (merchant), Lesi Faison (Gypsy), Georges Man (Lilas Pastia).

soloists are Mirella Freni (soprano) and Teresa Berganza (mezzo-soprano). Orchestra Solisti dell`orchestra Scarlatti Napoli.

Teresa Berganza – mezzo-soprano, Lucia Valentini Terrani – contralto. Philarmonia Chorus (chorus Master – Norbert Balatsch).

Ryland Davis - tenor.

Cenerentola - Teresa Berganza, Clorinda - Margherita Guglielmi, Tisbe - Laura Zannini, Don Ramiro - Luigi Alva, Dandini - Renato Capecchi, Don Magnifico - Paolo Montarsolo, Alindoro - Ugo Trama. 1971.

Opera Orfeo ed Euridice (Italian version), Che puro ciel!

Recorded 1955, Madrid

Recorded: July 1981, Toulouse.

Figaro - Geraint Evans, Susanna - Reri Grist, Conte Almaviva - Gabriel Bacquier, Contessa Almaviva - Elisabeth Söderström, Cherubino - Teresa Berganza, Marcellina - Annelies Burmeister, Bartolo - Michael Langdon, Basilio - Werner Hollweg, Curzio - Willi Brokmeier, Antonio - Clifford Grant, Barbarina - Margaret Price. 1970.

Don Giovanni - Ruggero Raimondi, Donna Anna - Edda Moser, Don Ottavio - Kenneth Riegel, Donna Elvira - Kiri Te Kanawa, Leoporello - José van Dam, Il Commendatore - John Macurdy, Masetto - Malcolm King, Zerlina - Teresa Berganza. 1978.

Piano - Juan Parejo. Recorded: October 1986, Switzerland.

London Symphony Orchestra, conductor - Garcia Navarro.

Dalton Baldwin - piano 1983

Il Barbiere Di Siviglia: Una Voce Poco Fa

Cavatina di Alcina (Hob. XXIVb:9 `Sono Alcina`)

Figaro – Rolando Panerai; Conte d`Almaviva – Luigi Alva; Rosina – Teresa Berganza; Don Bartolo – Fernando Corena; Don Basilio – Paolo Montarsolo; Fiorello – Arturo La Porta; Berta – Anna Di Stasio; Un ufficiale – Vittorio Pandano. Orchestra e Coro Teatro dell`Opera di Roma. Direttore – Carlo Maria Giulini. Roma, 1 aprile 1965

Al Pensar En El Dueño De Mis Amores (Las Hijas del Zebedeo)

Act 3 - `Piangerò La Sorte Mia`.

Wieslaw Ochman - tenore, Thomas Stewart - bass. Heinz Mende - chorus master. Recorded: January 1975, Munich.

Chanson espagnole

La Maja Dolorosa: Oh Muerte Cruel!; Ay Mayo De Mi Vida!: De Aquel Majo Amante. - Teresa Berganza / Felix Lavilla. Rec. 1975.

No. 4 (Xangô

Recorded: December 1962, London.

On poems by E. Villa-Lobos (under the pseudonym Epaminondas Villalba Filho). Juan Antonio Alvarez Parejo - f-no. Recording - October 1986, Switzerland.

Tito - Peter Schreier, Sesto - Teresa Berganza, Servilia - Edith Mathis, Vitellia - Julia Varady, Annio - Marga Schiml, Publio - Theo Adam. Recorded: January 1979, Dresden.

Semiramide: Bel Raggio Lusinghier. Rec. 1959

Teresa Berganza (mezzo-soprano) / Wiener Kammerorchester / cond. György FISHER / Wien, 1980

Recorded 1988

La Cenerentola: Nacqui All`affanno...Non Piu Mesta. Rec. 1959.

Philippe Boucly - flute. 1981-83.

Conductor - György Fischer. Wien, 1980.

Fracasso - Thomas Moser, Rosina - Helen Donath, Don Cassandro - Robert Holl, Don Polidoro - Anthony Rolfe-Johnson, Donna Giacinta - Teresa Berganza, Simone - Robert Lloyd, Ninetta - Jutta-Renate Ihloff. January 16-20, 1983.

Cruda Sorte!; Per lui che adoro. Rec. 1959.

№ 5 (Modinha), № 10 (Desejo). Juan Antonio Alvarez Parejo - f-no. Recording - September 1983, Switzerland.

1982

Teresa Berganza (mezzo-soprano) / Wiener Kammerorchester / cond. György FISHER / Wien, 1980

Medea - Maria Callas, Glauce - Elizabeth Carron, Neris - Teresa Berganza, Giasone - Jon Vickers, Creonte - Nicola Zaccaria, Capitano - Peter Binder, Prima Ancella - Judith Raskin, Seconda Ancella - Mary Mackenzie. Orchestra - Dallas Civic Opera. Chorus - Dallas Civic Opera. Recording - November 8, 1958, Dallas.

February 6, 1958. In ITALIAN. Choir and orchestra of the Italian Radio in Milan. Dir. A.Simonetto. Boris Hristov (Don Quixote), Teresa Berganza (Dulcinea), Carlo Badioli (Sancho Panza), Ornella Rovero (Pedro), Pina Malgarini (Garcia), Alfredo Nobile (Rodrigo), Tommaso Frascati (Juan).

Juan Antonio Alvarez Parejo - f-no. Recording - September 1983, Switzerland.

1h. Record - December 1983, Switzerland.

1964 (live)

1982

Paris 1964

1985. The Ensemble of ancient instruments of Lausanne, the Choir of the Municipal Theater of Lausanne. Dir. Michel Corbos. Teresa Berganza (Dido), Per-Arne Wahlgren (Aeneas). Danielle Borst (Belinda), Francoise Destembert (2nd lady). Glenys Linos (Witch), Tiziana Soyat (1st witch

Tancredi: Di tanti palpiti.Juan-Antonio Alvarez Parejo - piano.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

`Barcarolle - Belle nuit`

№ 2, Se Equivoco la Paloma. Juan Antonio Alvarez Parejo - f-no. Recording - September 1983, Switzerland.

Teresa Berganza (soprano) / The Scottish Chamber Orchestra / Raymond Leppard (cond.) / 1982

Recorded: October 1986, Switzerland.

Op 37, No. 3 (`El Fantasma`). Juan Antonio Alvarez Parejo - f-no. Recording - October 1986, Switzerland.

Teresa Berganza (mezzo-soprano) / Wiener Kammerorchester / cond. György FISHER / Wien, 1980

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Teresa Berganza (soprano) / The Scottish Chamber Orchestra / Raymond Leppard (cond.) / 1982

from the album 2013 release (LP reissue with digital restoration)

№ 12 - Mi vina de Chapanay (Cueca). Recorded: September 1983, Switzerland.

Orchestra unknown - Nicasio Tejada, conductor

Juan Antonio Alvarez Parejo - f-no. Recording - October 1986, Switzerland.

Juan Antonio Alvarez Parejo - f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

`Divinites Du Styx`.

Juan Antonio Alvarez Parejo- f-no. Recording - September 1983, Switzerland.

`Connais-tu le pays?..`

`Triptych`, Op. 45, No. 1 (`Farruka`). Juan Antonio Alvarez Parejo - f-no. Recording - October 1986, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - October 1986, Switzerland.

Juan Antonio Alvarez Parejo- f-no. Recording - October 1986, Switzerland.

from the collection Brava Berganza! (2005)

aria `Temerari! Sortite!...Come scoglio!` (act I) recorded in 1962 in London

from the collection Brava Berganza! (2005)

recorded in 1981 in Vienna

`Medea! O Medea!.. Solo un pianto` // 1960, London

iz sbornica Brava Berganza! (2005)

from the collection Brava Berganza! (2005)

from the 2013 album release (LP reissue with digital restoration)

recorded in 1977 in Vienna

from the collection Brava Berganza! (2005)

from the collection Brava Berganza! (2005)

from the 2013 album release (LP reissue with digital restoration)

from the collection Brava Berganza! (2005)

from the collection Brava Berganza! (2005)

from the collection Brava Berganza! (2005)

from the collection Brava Berganza! (2005)