Arleen Auger (soprano)
Konstanze - Arleen Auger, Belmonte - Peter Schreier, Blonde - Reri Grist, Pedrillo - Harald Neukirch, Osmin - Kurt Moll, Bassa Selim - Otto Mellies. Leipziger Rundfunkchor. Chorus Master - Horst Neumann. IX.1973, Lukaskirche, Dresden.
Matthias Pfaender - cello, Dieter Zahn - violone, Gunter Klier - bassoon,Walter Heinz Bernstein - cembalo.
Arleen Auger, John van Kesteren, Jonathan Summers. Philharmonia Chorus ` Orchestra
Entry - December 5 6, 1990, Berlin.
Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Peter Mirring (violin), Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Arleen Auger, soprano; Carolyn Watkinson, alto; Siegfried Jerusalem, tenor; Sieegmund Nimsgern, bass. Gachinger Kantorei Stuttgart, Bach Collegium Stuttgart. Conductor Helmuth Rilling. 2002.
Klaus Hirte - baritone, Franz Crass - bass, Bruno Ganz - recitative. C. Abbado - ¹ 6 (Marsch & choir `Schmueckt die Altaere!`). 4/1970.
Adalbert Kraus - tenor; Philippe Huttenlocher - bass I, Wolfgang Schöne - bass II. Gächinger Kantorei Stuttgart. Recorded: February & April 1979, Stuttgart.
City of Birmingham Symphony Chorus & Orchestra. Wartford Town Hall, April-May 1986.
Ebal, king of Lacedaemonia - Anthony Rolfe Johnson (tenor)
Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Wolfgang Schöne. Gächinger Kantorei Stuttgart.
HWV 210 `Flammende Rose, Zierde der Erden`
Gabriele Schreckenbach - contralto, Lutz-Michael Harder - tenor. Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany, February, April 1980.
Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
Contralto – Catherine Robbin, bass – Gregory Reinhart. Chorus Master – John Alley. Recorded: September 1988, London.
Mitridate - Werner Hollweg, Aspasia - Arleen Auger, Sifare - Edita Gruberova, Farnace - Agnes Baltsa, Ismene - Ileana Contubas, Marzio - David Kubler, Arbate - Christine Weidinger. January 1977, Salzburg.
Dietrich Fischer-Dieskau, tenor (Agamemnon); Trudeliese Schmidt, mezzo-soprano (Klytemnestra); Anna Moffo, soprano (Iphigenie); Arleen Auger, soprano (Artemis); Ludovic Spiess, tenor (Achilles); Bernd Weikl, baritone (Arkas); Thomas Stewart, bass (Kalchan). 1972.
Klaus Hirte - baritone, Franz Crass - bass, Bruno Ganz - recitative. 4/1970.
Werther - Placido Domingo, Charlotte - Elena Obraztsova, Albert - Franz Grundheber, Le Bailli - Kurt Moll, Sophie - Arleen Auger, Schmidt - Alejandro Vazquez, Johann - Laszlo Anderko, Koelner Kinderchor. Recorded in 1979.
Bass - Philippe Huttenlocher. Gächinger Kantorei. Recorded: September 1976 & January/April 1977.
Recorded: October 16-18, 1989, UK.
Arias: 1) `Blute nur, du liebes Herz!` - 5:31; 2) `Ich Will Dir Mein Herze Schenken` - 3:20. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Michael Chance - Alto, Howard Crook - Tenor. The English Concert Choir. Year of release of the disc: 1988.
This Weimar cantata was reworked and expanded in Leipzig as BWV 70 for the 26th Sunday after Trinity. The original has been lost. The version heard here simply omits the additions from the later version. Gächinger Kantorei Stuttgart. Verena Gohl - alto, Lutz-Michael Harder - tenor, Siegmund Nimsgern - bass.
Aldo Baldin - tenor, Wolfgang Schöne - bass. Recorded in 1979.
Don Juan - Alan Titus, Donna Anna - Julia Varadi, Don Ottavio - Thomas Moser, Commander - Jan-Hendrik Rutering, Donna Elvira - Arlene Auger, Leporello - Rolando Panerai, Masetto - Rainer Scholze, Zerlina - Edith Mathis. Recording of 1985
Buonafede - Domenico Trimarchi, Ecclitico - Luigi Alva, Lisetta - Frederica von Stade, Flaminia - Arleen Auger, Clarice - Edith Mathis, Ernesto - Lucia Valentini-Terrani, Cecco - Anthony Rolfe Johnson. Antal Dorati - harpsichord. Recorded: June 1977, Switzerland.
Recorded 1975. Released 1993.
Diana - Edith Mathis, Pales - Arleen Augér, Endymion - Peter Schreier, Pan - Theo Adam. Berliner Solisten (Chorus Master: Dietrich Knothe). October/November 1976.
Adalbert Kraus - tenor. Gächinger Kantorei Stuttgart. Recorded: Deñember 1980/March & May 1981, Stuttgart.
Bass - Wolfgang Schöne. Frankfurter Kantorei. Recorded: September 1976/January, June 1977.
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
Contraltos: Julia Hamari [BWV 63/2], Hildegard Laurich [BWV 63/5], tenor - Adalbert Kraus, basses - Wolfgang Schöne [BWV 63/3,6], Walter Heldwein [BWV 63/3], Wolfgang Schöne [BWV 63/6]. Gächinger Kantorei Stuttgart. Recorded: February 1971 & February 1981.
Recorded: February 1981, Leipzig.
Tenor: Aldo BaldinGächinger Kantorei Stuttgart. Recorded: September 1983 & February 1984.
Angelica – Arleen Auger (soprano), Eurilla – Elly Ameling (soprano), Alcina – Gwendolyn Killebrew (mezzo-soprano), Orlando – George Shirley (tenor), Medoro - Claes H Ahnsjö
Worldliness - Arleen Auger, Justice - Krisztina Laki, Mercy - Sylvia Geszty, Christian spirit - Werner Hollweg, Christian - Claes H. Ahnsjö. Berliner Domkapelle. Recording: 1980, Lindlar.
Contralto - Doris Soffel, tenor - Adalbert Kraus, bass - Philippe Huttenlocher. Gächinger Kantorei. 1979-1980, Stuttgart.
Alto - Hildegard Laurich, bass - Wolfgang Schöne. Figuralchor der Gedächtniskirche Stuttgart. Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany, February 1971.
Sopranos - Arleen Augér [BWV 21/3,7,8], Nancy Amini [BWV 21/6,9,11]; Contralto - Karen Hagerman [BWV 21/6,9,11]; tenors - Adalbert Kraus [BWV 21/4,5,10], Douglas Robinson [BWV 21/6,11]; basses - Wolfgang Schöne [BWV 21/7,8], Norman Andersson. Recorded: March & May 1976, Stuttgart.
Bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Recorded: February/March 1981, Stuttgart & Salzburg.
Contralto - Gabriele Schreckenbach, tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. September/Oñtober 1983, Stuttgart.
Alcina - Arleen Augér, Morgana - Eiddwen Harrhy, Ruggiero - Della Jones, Bradamante - Kathleen Kuhlmann, Oberto - Patrizia Kwella, Oronte - Maldwyn Davies, Melisso - John Tomlinson. Opera Stage Chorus. City of London Baroque Sinfonia (leader - Simon Standage). Recorded: July 1985, London.
Gächinger Kantorei Stuttgart. 1980-1981.
Arleen Augér & Lynne Dawson (soprano), Diana Montague (contralto), Leigh Nixon (tenor), Simon Birchal (bass) / Westminster Abbey Choir & Orchestra, Simon Preston
Belshazzar, king of Babylon – Anthony Rolfe Johnson
Richard Stilwell - baritone. Recording - November 5-7, 1983, Atlanta.
Hannes Läubin - trumpet. Recorded: September 1983, Stuttgart.
Recorded: March/April 1990, UK.
Tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Gächinger Kantorei. Recorded: February & April 1980.
Tenor - Adalbert Kraus, bass - Wolfgang Schöne. Indiana University Chamber Singers. Recorded: March-May 1976, Stuttgart.
Gächinger Kantorei Stuttgart. Recorded: June/July/October 1983.
Contralto - Alyce Rogers, bass - Wolfgang Schöne. Frankfurter Kantorei. Recorded: December 1975/March & May 1976.
Tenor - Adalbert Kraus, bass - Philippe Huttenlocher. Recorded: 1979, Stuttgart.
Tenor - Aldo Baldin, bass - Walter Heldwein. Gächinger Kantorei. Recorded: June/October 1983.
Gächinger Kantorei Stuttgart. 1982-1983.
Tenor - Aldo Baldin, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February or March 1985, live in the concert hall Stuttgarter Liederhalle, Stuttgart, Baden-Württemberg, Germany, in the frame of the International Bach-Festival in Stuttgart.
Recorded: October 1982, Stuttgart.
Bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: November 1981 & February 1982, Stuttgart.
Recorded - October 16-18, 1989, UK.
Bass - Siegmund Nimsgern. Recorded: September, December 1977 & January 1978, Stuttgart.
09.09.1975, Fernsehstudio 6, Baden-Baden
Contralto - Ria Bollen, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: September/December 1977 & January 1978.
Act II: `Lascia chio pianga`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Contralto - Margit Neubauer, tenor - Aldo Baldin, bass - Wolfgang Schöne. Recorded: February 1979, Stuttgart.
Contraltos - Helen Watts [Mvt. 4] & Gabriele Schreckenbach [Mvt. 7], tenor - Aldo Baldin, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Äàòà çàïèñè: February & April 1980.
Contralto - Hildegard Laurich, tenor - Aldo Baldin. Frankfurter Kantorei. Recorded: February/May 1976.
Tenor - Adalbert Kraus. Gächinger Kantorei. Recorded: September, December 1977 & January 1978, Stuttgart.
Contralto - Gabriele Schreckenbach, tenor - Aldo Baldin. Gächinger Kantorei. Recorded: September/October 1983.
Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September 1977/January 1978.
Tenor - Adalbert Kraus, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: January/September 1978.
Recorded: November 16-18, 1989, UK.
BWV 202: 1) `Weichet Nur, Betrübte Schatten` - 7:42; 2) `Sich Üben Im Lieben` - 4:43. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Tenor - Adalbert Kraus, bass - Walter Heldwein. Recorded: March & November 1981, Stuttgart.
Contralto - Doris Soffel, tenor - Adalbert Kraus, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February & April 1980, Stuttgart.
Tenor - Lutz-Michael Harder. Gächinger Kantorei Stuttgart. Recorded: February/April/ December 1980.
Lucio Silla - Peter Schreier, Giunia - Arleen Auger, Cecilio - Julia Varady, Lucio Cinna - Edith Mathis, Celia - Helen Donath, Aufidio - Werner Krenn. Salzburger Rundfunk- und Mozarteumchor. January 1975, Salzburg.
Tenor - Aldo Baldin, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. October 1979.
Bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: September 1976 & January/April 1977, Stuttgart.
The Mostly Mozart Orchestra. Recorded: September 1984, Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Recorded: October 16-18, 1989, UK.
Tenor - Lutz-Michael Harder. Gächinger Kantorei Stuttgart. Recorded: February & April 1980.
Tenor - Lutz-Michael Harder, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: Februaró/April 1980.
Tenor - Aldo Baldin, bass - Niklaus Tüller. Gächinger Kantorei. 1977.
Contralto - Gabriele Schreckenbach, bass - Franz Gerihsen. Gächinger Kantorei. Recorded: February 1982, Stuttgart.
Gächinger Kantorei Stuttgart. Recorded: February & October 1982.
Tenor - Adalbert Kraus. Gächinger Kantorei. Recorded: February 1979.
Tenor - Aldo Baldin, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: October/November 1979.
Gächinger Kantorei. Recorded: August 1980 & May 1981.
Gächinger Kantorei Stuttgart. Recorded: October/November 1981.
London Chamber Choir. The Argo Chamber Orchestra. Alfreda Hodgson - mezzo-soprano, Gwynne Howell - bass. Recording - February 1979, London.
Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September/ December 1977, January 1978.
Contralto - Gabriele Schreckenbach. Gächinger Kantorei Stuttgart. Recorded: February/October 1982.
Recorded: October 16-18, 1989, UK.
Act III: `Piangero la sorte mia si crudele e tanto ria`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Sopranos - Kathrin Graf & Arleen Augér; contraltos - Helrun Gardow & Hanna Schwarz, Gabriele Schreckenbach, tenors - Alexander Senger & Adalbert Kraus, Lutz-Michael Harder, basses - Niklaus Tüller & Philippe Huttenlocher. Gächinger Kantorei Stuttgart. 1975, 1982.
Bass - Walter Heldwein. Gächinger Kantorei. Recorded: February/October 1979.
Gächinger Kantorei Stuttgart. Recorded: 1977, 1978, 1981.
Orlando – James Bowman, Angelica – Arleen Auger, Medoro – Katherine Robinn, Dorinda – Emma Kirkby, Zoroastro – David Thomas. 1989-90.
Recorded: October 16-18, 1989, UK.
Tenor - Lutz-Michael Harder, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: October/November 1979.
Recorded: October 16-18, 1989, UK.
Tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Recorded: November 1981 & October 1982, Stuttgart.
Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Niklaus Tüller. Frankfurter Kantorei. Recorded: March 1973 / May 1981 (No.7).
Bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: March/April 1976.
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
Gächinger Kantorei Stuttgart. 1983.
Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: February 1979.
Erstes Liebeslied eines Mädchens No 42
Tenor - Adalbert Kraus, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Recorded: July/September/October 1983, July 1984.
Soprano - Arleen Augér [BWV 24/3]; contraltos - Helen Watts [BWV 24/1], Katharina Pugh [BWV 24/3]; tenor - Adalbert Kraus [BWV 24/2,3,5], basses - Walter Heldwein [BWV 24/4], Wolfgang Schöne [BWV 24/3]. Gächinger Kantorei. 1977-1978.
Gächinger Kantorei Stuttgart. Recorded: September 1978.
Romanze `Ich schleichebang und Still` (¹ 3). Recorded: October 16-18, 1989, UK.
Bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Recorded: September & Deñember 1977.
Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. December 1980, April 1981, July 1983.
Ortrun Wenkel - contralto. Thomanerchor Leipzig. Recorded in 1981, Leipzig.
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
Contralto - Gabriele Schnaut, tenor - Adalbert Kraus, bass - Niklaus Tüller. Gächinger Kantorei. Recorded: September 1976 & January/April 1977.
Thomanerchor Leipzig. Recorded at Paul-Gerhardt-Kirche, Leipzig, Saxony, Germany, Oct 1980; Jan-Feb 1981.
Bass - Walter Heldwein. Gächinger Kantorei. Recorded: November 1981, Stuttgart.
Contraltos - Tsuyako Mitsui & Ann Murray, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September 1978.
Contralto - Verena Gohl, tenor - Lutz-Michael Harder, bass - Siegmund Nimsgern. Gächinger Kantorei Stuttgart. Recorded: 1970 & 1982.
Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: December 1980/March 1981/March 1982.
Ortrun Wenkel - contralto. 1983.
Tenor - Aldo Baldin, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February/April 1980.
Bass - Niklaus Tüller. Gächinger Kantorei Stuttgart. Recorded: September 1976 & January 1977, Stuttgart.
Tenor - Lutz-Michael Harder, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. 1980.
Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei. Recorded: February & October 1982.
Contralto - Gabriele Schreckenbach, bass - Walter Heldwein. Gächinger Kantorei. 1980-1982.
Contraltos - Gabriele Schnaut [Mvt. 2], Gabriele Schreckenbach [Mvt. 5], bass - Niklaus Tüller. Gächinger Kantorei. Recorded: January/February 1974 & February 1982.
Tenor - Lutz-Michael Harder, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: February/October/July 1982, July 1983.
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
Zitronenfalter im April No 18
Contralto - Gabriele Schreckenbach, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: November 1981 & February 1982, Stuttgart.
Contralto - Doris Soffel, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: February, April 1980, Stuttgart.
Tenor - Adalbert Kraus, bass - Niklaus Tüller. Gächinger Kantorei Stuttgart. Recorded: September 1976/January & April 1977.
Schlafendes Jesukind No 25
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
Wo find’ ich Trost? No 31
Recorded: October 16-18, 1989, UK.
`Rosamund`, D 797:3b. The romance Der Vollmond strahlt auf Bergeshö
Part I: Aria `And He shall feed his flock` & Aria `Rejoice greatly, O daughter of Zion`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Tenor - Aldo Baldin, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: February/October 1979.
Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Äàòà çàïèñè: February, September 1978 / February 1979.
Bass - Wolfgang Schöne. Gächinger Kantorei. Recorded: February 1974 / February 1982 (No. 5).
Tenor - Aldo Baldin, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: June/September 1983.
Countertenor - Alyce Rogers, bass - Wolfgang Schöne. Frankfurter Kantorei. Recorded: December 1975 & April/May 1976.
Alto - Mechthild Georg, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: June 1983 & February 1984.
Bass - Walter Heldwein. Gächinger Kantorei. Recorded: December 1980 & March/November 1982.
Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
¹ 3, Arietta: `Hin und wieder fliegen die Pfeile` & `Liebe schwärmt auf allen Wegen` (¹ 6). Recorded: October 16-18, 1989, UK.
Act III: `Let the bright Seraphim in burning row`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Tenor - Aldo Baldin, bass - Wolfgang Schöne. Recorded: February 1979, Stuttgart.
Recorded: October 16-18, 1989, UK.
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Das verlassene Mägdlein No 7
Recorded at Sprague Hall, Yale University, USA, 1984-1986.
Recorded: October 16-18, 1989, UK.
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Part 1: 1) `Softly sweet`; 2) `The Prince, unable to conceal`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
Recorded: October 16-18, 1989, UK.
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Act I: `Care selve, ombre beate`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
1988 - Gwyneth Jones, Arleen Auger, Barbara Bonney (Sopranos), Jard van Nes, Carolyn Watkinson (Mezzos), Werner Hollweg (Tenor), Thomas Hampson (Baritone), Robert Hall (Bass) - Philharmonia Chorus
Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
Recorded: October 16-18, 1989, UK.
