,  (Auger)
Arleen Auger (soprano)





Konstanze - Arleen Auger, Belmonte - Peter Schreier, Blonde - Reri Grist, Pedrillo - Harald Neukirch, Osmin - Kurt Moll, Bassa Selim - Otto Mellies. Leipziger Rundfunkchor. Chorus Master - Horst Neumann. IX.1973, Lukaskirche, Dresden.
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Matthias Pfaender - cello, Dieter Zahn - violone, Gunter Klier - bassoon,Walter Heinz Bernstein - cembalo.
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Arleen Auger, John van Kesteren, Jonathan Summers. Philharmonia Chorus ` Orchestra
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Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Peter Mirring (violin), Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Arleen Auger, soprano; Carolyn Watkinson, alto; Siegfried Jerusalem, tenor; Sieegmund Nimsgern, bass. Gachinger Kantorei Stuttgart, Bach Collegium Stuttgart. Conductor Helmuth Rilling. 2002.
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Klaus Hirte - baritone, Franz Crass - bass, Bruno Ganz - recitative. C. Abbado - ¹ 6 (Marsch & choir `Schmueckt die Altaere!`). 4/1970.
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Adalbert Kraus - tenor; Philippe Huttenlocher - bass I, Wolfgang Schöne - bass II. Gächinger Kantorei Stuttgart. Recorded: February & April 1979, Stuttgart.
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Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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HWV 210 `Flammende Rose, Zierde der Erden`
Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Gabriele Schreckenbach - contralto, Lutz-Michael Harder - tenor. Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany, February, April 1980.
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Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Peter Mirring (violin),Werner Tast (flute), Burkhardt Glaetzner (oboe), Dieter Zahn (violone), Gunter Klier (bassoon). Walter Heinz Bernstein (cembalo)
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Mitridate - Werner Hollweg, Aspasia - Arleen Auger, Sifare - Edita Gruberova, Farnace - Agnes Baltsa, Ismene - Ileana Contubas, Marzio - David Kubler, Arbate - Christine Weidinger. January 1977, Salzburg.
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Dietrich Fischer-Dieskau, tenor (Agamemnon); Trudeliese Schmidt, mezzo-soprano (Klytemnestra); Anna Moffo, soprano (Iphigenie); Arleen Auger, soprano (Artemis); Ludovic Spiess, tenor (Achilles); Bernd Weikl, baritone (Arkas); Thomas Stewart, bass (Kalchan). 1972.
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Werther - Placido Domingo, Charlotte - Elena Obraztsova, Albert - Franz Grundheber, Le Bailli - Kurt Moll, Sophie - Arleen Auger, Schmidt - Alejandro Vazquez, Johann - Laszlo Anderko, Koelner Kinderchor. Recorded in 1979.
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This Weimar cantata was reworked and expanded in Leipzig as BWV 70 for the 26th Sunday after Trinity. The original has been lost. The version heard here simply omits the additions from the later version. Gächinger Kantorei Stuttgart. Verena Gohl - alto, Lutz-Michael Harder - tenor, Siegmund Nimsgern - bass.
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Arias: 1) `Blute nur, du liebes Herz!` - 5:31; 2) `Ich Will Dir Mein Herze Schenken` - 3:20. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Don Juan - Alan Titus, Donna Anna - Julia Varadi, Don Ottavio - Thomas Moser, Commander - Jan-Hendrik Rutering, Donna Elvira - Arlene Auger, Leporello - Rolando Panerai, Masetto - Rainer Scholze, Zerlina - Edith Mathis. Recording of 1985
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Buonafede - Domenico Trimarchi, Ecclitico - Luigi Alva, Lisetta - Frederica von Stade, Flaminia - Arleen Auger, Clarice - Edith Mathis, Ernesto - Lucia Valentini-Terrani, Cecco - Anthony Rolfe Johnson. Antal Dorati - harpsichord. Recorded: June 1977, Switzerland.
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Diana - Edith Mathis, Pales - Arleen Augér, Endymion - Peter Schreier, Pan - Theo Adam. Berliner Solisten (Chorus Master: Dietrich Knothe). October/November 1976.
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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Contraltos: Julia Hamari [BWV 63/2], Hildegard Laurich [BWV 63/5], tenor - Adalbert Kraus, basses - Wolfgang Schöne [BWV 63/3,6], Walter Heldwein [BWV 63/3], Wolfgang Schöne [BWV 63/6]. Gächinger Kantorei Stuttgart. Recorded: February 1971 & February 1981.
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Angelica – Arleen Auger (soprano), Eurilla – Elly Ameling (soprano), Alcina – Gwendolyn Killebrew (mezzo-soprano), Orlando – George Shirley (tenor), Medoro - Claes H Ahnsjö
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Worldliness - Arleen Auger, Justice - Krisztina Laki, Mercy - Sylvia Geszty, Christian spirit - Werner Hollweg, Christian - Claes H. Ahnsjö. Berliner Domkapelle. Recording: 1980, Lindlar.
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Sopranos - Arleen Augér [BWV 21/3,7,8], Nancy Amini [BWV 21/6,9,11]; Contralto - Karen Hagerman [BWV 21/6,9,11]; tenors - Adalbert Kraus [BWV 21/4,5,10], Douglas Robinson [BWV 21/6,11]; basses - Wolfgang Schöne [BWV 21/7,8], Norman Andersson. Recorded: March & May 1976, Stuttgart.
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Contralto - Doris Soffel, tenor - Adalbert Kraus, bass - Philippe Huttenlocher. Gächinger Kantorei. 1979-1980, Stuttgart.
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Alto - Hildegard Laurich, bass - Wolfgang Schöne. Figuralchor der Gedächtniskirche Stuttgart. Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany, February 1971.
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Contralto - Gabriele Schreckenbach, tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. September/Oñtober 1983, Stuttgart.
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Alcina - Arleen Augér, Morgana - Eiddwen Harrhy, Ruggiero - Della Jones, Bradamante - Kathleen Kuhlmann, Oberto - Patrizia Kwella, Oronte - Maldwyn Davies, Melisso - John Tomlinson. Opera Stage Chorus. City of London Baroque Sinfonia (leader - Simon Standage). Recorded: July 1985, London.
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Arleen Augér & Lynne Dawson (soprano), Diana Montague (contralto), Leigh Nixon (tenor), Simon Birchal (bass) / Westminster Abbey Choir & Orchestra, Simon Preston
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Richard Stilwell - baritone. Recording - November 5-7, 1983, Atlanta.
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Tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Gächinger Kantorei. Recorded: February & April 1980.
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Tenor - Adalbert Kraus, bass - Wolfgang Schöne. Indiana University Chamber Singers. Recorded: March-May 1976, Stuttgart.
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Tenor - Aldo Baldin, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February or March 1985, live in the concert hall Stuttgarter Liederhalle, Stuttgart, Baden-Württemberg, Germany, in the frame of the International Bach-Festival in Stuttgart.
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Bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: November 1981 & February 1982, Stuttgart.
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Contralto - Ria Bollen, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: September/December 1977 & January 1978.
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Contraltos - Helen Watts [Mvt. 4] & Gabriele Schreckenbach [Mvt. 7], tenor - Aldo Baldin, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Äàòà çàïèñè: February & April 1980.
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Contralto - Margit Neubauer, tenor - Aldo Baldin, bass - Wolfgang Schöne. Recorded: February 1979, Stuttgart.
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Tenor - Adalbert Kraus, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: January/September 1978.
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Act II: `Lascia chio pianga`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September 1977/January 1978.
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Contralto - Doris Soffel, tenor - Adalbert Kraus, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February & April 1980, Stuttgart.
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Tenor - Lutz-Michael Harder, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: Februaró/April 1980.
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BWV 202: 1) `Weichet Nur, Betrübte Schatten` - 7:42; 2) `Sich Üben Im Lieben` - 4:43. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Contralto - Gabriele Schreckenbach, bass - Franz Gerihsen. Gächinger Kantorei. Recorded: February 1982, Stuttgart.
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Lucio Silla - Peter Schreier, Giunia - Arleen Auger, Cecilio - Julia Varady, Lucio Cinna - Edith Mathis, Celia - Helen Donath, Aufidio - Werner Krenn. Salzburger Rundfunk- und Mozarteumchor. January 1975, Salzburg.
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Tenor - Aldo Baldin, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: October/November 1979.
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The Mostly Mozart Orchestra. Recorded: September 1984, Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September/ December 1977, January 1978.
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London Chamber Choir. The Argo Chamber Orchestra. Alfreda Hodgson - mezzo-soprano, Gwynne Howell - bass. Recording - February 1979, London.
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Contralto - Gabriele Schreckenbach. Gächinger Kantorei Stuttgart. Recorded: February/October 1982.
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Sopranos - Kathrin Graf & Arleen Augér; contraltos - Helrun Gardow & Hanna Schwarz, Gabriele Schreckenbach, tenors - Alexander Senger & Adalbert Kraus, Lutz-Michael Harder, basses - Niklaus Tüller & Philippe Huttenlocher. Gächinger Kantorei Stuttgart. 1975, 1982.
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Orlando – James Bowman, Angelica – Arleen Auger, Medoro – Katherine Robinn, Dorinda – Emma Kirkby, Zoroastro – David Thomas. 1989-90.
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Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Niklaus Tüller. Frankfurter Kantorei. Recorded: March 1973 / May 1981 (No.7).
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Tenor - Lutz-Michael Harder, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: October/November 1979.
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Tenor - Adalbert Kraus, bass - Philippe Huttenlocher. Gächinger Kantorei Stuttgart. Recorded: July/September/October 1983, July 1984.
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Tenor - Lutz-Michael Harder, bass - Philippe Huttenlocher. Recorded: November 1981 & October 1982, Stuttgart.
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Soprano - Arleen Augér [BWV 24/3]; contraltos - Helen Watts [BWV 24/1], Katharina Pugh [BWV 24/3]; tenor - Adalbert Kraus [BWV 24/2,3,5], basses - Walter Heldwein [BWV 24/4], Wolfgang Schöne [BWV 24/3]. Gächinger Kantorei. 1977-1978.
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Act III: `Piangero la sorte mia si crudele e tanto ria`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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Romanze `Ich schleichebang und Still` (¹ 3). Recorded: October 16-18, 1989, UK.
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Contralto - Gabriele Schnaut, tenor - Adalbert Kraus, bass - Niklaus Tüller. Gächinger Kantorei. Recorded: September 1976 & January/April 1977.
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. December 1980, April 1981, July 1983.
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Contraltos - Tsuyako Mitsui & Ann Murray, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: September 1978.
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Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: December 1980/March 1981/March 1982.
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Contralto - Verena Gohl, tenor - Lutz-Michael Harder, bass - Siegmund Nimsgern. Gächinger Kantorei Stuttgart. Recorded: 1970 & 1982.
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Tenor - Aldo Baldin, bass - Wolfgang Schöne. Gächinger Kantorei Stuttgart. Recorded: February/April 1980.
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Bass - Niklaus Tüller. Gächinger Kantorei Stuttgart. Recorded: September 1976 & January 1977, Stuttgart.
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Contralto - Gabriele Schreckenbach, tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei. Recorded: February & October 1982.
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Tenor - Lutz-Michael Harder, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: February/October/July 1982, July 1983.
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Contraltos - Gabriele Schnaut [Mvt. 2], Gabriele Schreckenbach [Mvt. 5], bass - Niklaus Tüller. Gächinger Kantorei. Recorded: January/February 1974 & February 1982.
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Tenor - Adalbert Kraus, bass - Niklaus Tüller. Gächinger Kantorei Stuttgart. Recorded: September 1976/January & April 1977.
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Contralto - Gabriele Schreckenbach, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Recorded: November 1981 & February 1982, Stuttgart.
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Contralto - Doris Soffel, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: February, April 1980, Stuttgart.
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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Tenor - Aldo Baldin, bass - John Bröcheler. Gächinger Kantorei Stuttgart. Recorded: February/October 1979.
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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`Rosamund`, D 797:3b. The romance Der Vollmond strahlt auf Bergeshö
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Tenor - Adalbert Kraus, bass - Walter Heldwein. Gächinger Kantorei Stuttgart. Äàòà çàïèñè: February, September 1978 / February 1979.
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Countertenor - Alyce Rogers, bass - Wolfgang Schöne. Frankfurter Kantorei. Recorded: December 1975 & April/May 1976.
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Part I: Aria `And He shall feed his flock` & Aria `Rejoice greatly, O daughter of Zion`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Alto - Mechthild Georg, tenor - Aldo Baldin. Gächinger Kantorei Stuttgart. Recorded: June 1983 & February 1984.
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¹ 3, Arietta: `Hin und wieder fliegen die Pfeile` & `Liebe schwärmt auf allen Wegen` (¹ 6). Recorded: October 16-18, 1989, UK.
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Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
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Arleen Auger (soprano), Annelies Burmeister (alto), Peter Schreier (tenor), Theo Adam (bass) // Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig // Recording: Kreuzkirche, Dresden, Saxony, Germany, 6.I.1990.
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Act III: `Let the bright Seraphim in burning row`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Arleen Augér (soprano) & Walter Olbertz (piano) / 1980
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Part 1: 1) `Softly sweet`; 2) `The Prince, unable to conceal`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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Act I: `Care selve, ombre beate`. The Mostly Mozart Orchestra. Recorded: September, 1984; Lenfell Hall, Fairleigh Dickinson University-Florham-Madison Campus, New Jersey.
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1988 - Gwyneth Jones, Arleen Auger, Barbara Bonney (Sopranos), Jard van Nes, Carolyn Watkinson (Mezzos), Werner Hollweg (Tenor), Thomas Hampson (Baritone), Robert Hall (Bass) - Philharmonia Chorus
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